

“A supernatural man. A supernatural love.”
A biography of the renowned escape artist Harry Houdini, examining his fascination with the occult and his promise to his wife on her deathbed that he would speak from the beyond.
Status
Released
Original Language
EN

Director Alfred Hitchcock is revered as one of the greatest creative minds in the history of cinema. Known for his psychological thrillers, Hitchcock’s leading ladies were cool, beautiful and preferably blonde. One such actress was Tippi Hedren, an unknown fashion model given her big break when Hitchcock’s wife saw her on a TV commercial. Brought to Universal Studios, Hedren was shocked when the director, at the peak of his career, quickly cast her to star in his next feature, 1963’s The Birds. Little did Hedren know that as ambitious and terrifying as the production would be to shoot, the most daunting aspect of the film ended up coming from behind the camera.


Daisy White
Paris, 1964. The Swiss sculptor and painter Alberto Giacometti, one of the most accomplished and respected artists of his generation, asks his friend, the American writer James Lord, to sit for a portrait, assuring him that it will take no longer than two or three hours, an afternoon at the most.