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4 votes
Ruth, a housewife in a suburb of Jerusalem, divided into two parts, appears as pliable as Play-Doh. While she should be taking care of her ten-year-old daughter and the household, her routine is falling apart and she is falling further into depression. Israel is just before the outbreak of the Six-Day War in 1967. The historical events echo in the lives of the characters only from a great distance. The female characters within the family wage a more important battle for their own identity. The director intentionally chose the parallel stories of three female protagonists: ten-year-old Michal who is just starting to acknowledge her sexuality, a single university student and Ruth, a trapped housewife.
Director
Writer
Status
Released
Original Language
HE

In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold has lost focus on all but caring for her comatose son, Paul, and neglects her daughter and husband. Lawyer Jim Train is devoted to his career, not his family. Helen Christianson wants to find a new spark in life, while Annette Jennings tries to rebuild hers.

More interested in partying and flirting with young musicians than work, veteran rock journalist Ellie Klug has one last chance to prove her value to her magazine’s editor: a no-stone-unturned search to discover what really happened to long lost rock god, Matt Smith, who also happens to be her ex-boyfriend. Teaming up with an eccentric amateur documentary filmmaker, Ellie hits the road in search of answers.