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Duke Claude de Bernard returns home exhausted from World War I. In the autumn of 1922, while walking in the Forest of Fontainebleau, he comes across an incredibly beautiful woman named Sharon Kazatti. Soon joined by ladies and gentlemen coming out of a soiree, she slips away out of his sight. Claude utters in spite of himself that she is a woman of sublime beauty. Hearing Claude's exclamation, a young man tells Claude that she is only a mannequin, not worthy of his praise and belonging to a world other than his. The young man's name is Louis Valentin and he is a gigolo. It seems that Louis cares for Sharon as well. Claude denies Louis's assertion, saying that she also has a soul just like him. A strange kinship grows between the two as they find that they both are attracted to the same woman. They decide to fairly compete to win Sharon's heart.
Director
Director
Status
Released
Original Language
JA

Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.

In 18th-century France, a young man masquerades as an actor to avenge his friend's murder.