Fernand (1980)

During the summer of 1968, Leon, a 10-year-old boy, navigates the hardships of young love, his lunatic mother's whims, and his urges to vandalize the house of his neighbors.

Twenty-three years old Romain would like to be a writer, but, for the moment, he's night watchman in a hotel. His sixty-two years old father is retired and seems to not give a damn about anything. He shares an apartment with a twenty-four-year-old guy whose sole purpose in life is to seduce a woman, no matter who, and no matter the cost. His eighty-five years old grandmother is living in an old people's home, and she wonders what on earth she is doing with stuck with all these old people. One day, Romain's father turns up in a fluster. His grandmother has disappeared. In fact, she kind of escaped. Romain sets out to find her, somewhere in his memories.

The mayor of Lyon, Paul Théraneau, is in a delicate position. After 30 years in politics, he is running out of ideas and is faced with a feeling of existential emptiness. To overcome this, Paul hires a young and brilliant philosopher, Alice Heimann. Then follows a dialogue between two diametrically opposed personalities who will turn their certainties upside down.

When a group of old college friends reunite over a long weekend after one of them attempts suicide, old crushes and resentments shine light on their life decisions, and ultimately push friendships and relationships to the brink.

Justine, struggles with commitment, listens to old David Bowie covers, and uses her employer’s private MRI machines to make “X-Ray Art” After a trail of boyfriends, Justine thinks she has found The One, a hunky shoe salesman, but her temporary happiness is thrown when her neurotic 60-year-old Jewish father (Michel Blanc) suffers a delayed midlife crisis and announces that his young second wife is expecting a baby. Justine and her half-sister Dom, who is trying to adopt, are rather annoyed at the news. Coupled with resentment about her father’s absence when she was growing up, causes her to spiral into self-doubt. Overflowing with French charm, Justine gets by with the help of her family, friends, and newly discovered muse.

In a life full of triumph and failure, "National Lampoon" co-founder Doug Kenney built a comedy empire, molding pop culture in the 1970s.

A woman in her thirties gets tired of life in Paris and decides to leave and become a farmer.

Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeoisie holds dear, whether it’s cars, peace of mind, or daughters. Marie-Ange, a jaded, passive hairdresser, joins them as lover, cook, and mother confessor. She’s on her own search for seemingly unattainable sexual pleasure.

In this little Provencal village, a new baker, Aimable, settles down. His wife Aurelie is beautiful and much younger than he. She departs with a shepherd the night after Aimable produces his first breads. Aimable is so afflicted that he can not work anymore. Therefore, the villagers, who initially laughed at his cuckoldry, take the matter very seriously (they want the bread) and organize a plan to find Aurelie and to bring her back to the bakery.

Thomas, a blasé young man, spends his nights in clubs and his days in bed. Until his father, Dr. Reinhard, fed up with his son’s escapades, cuts him off completely and forces him to take care of one of his young patients. Mar- cus, 12, was born with a serious congenital disorder. He lives with his mother in the poor suburbs of Paris and spends his days either at the hospital or in a center for sick children. This encounter will disrupt their lives and change them both, profoundly and forever.