The Takedown (2022)

The eccentric Miss Ank tries to pick up the pieces at her primary after the loss of their principal. Faced with a shortage of teachers, and increasingly demanding parents, the board hires an interim head to get things in order. Pretty soon e-teaching takes over, with an actual robot replacing the teachers, and CCTV enabling over-involved parents to keep a constant eye on what’s happening. Finding themselves up against this heartless new regime, pupils and teachers decide to join forces and rebel.

A thirty-something aspiring children's author, labeled "meskina" (pity case) by her Moroccan-Dutch community for still being career-less and single, sets out to once and for all find professional success and true love.

In some vacant area in the Buenos Aires province, Diego is taking part in a radio contest that consists of answering a series of questions about his beloved team Racing Club. Meanwhile, in the blink of an eye, a man falls from the sky on the hood of his car, another man ends up gagged in the trunk, a secret agent shows up weapon in hand and a plane crashes just meters away.

There is what you see, what some people want you to see, and what you don't see. Never has France known such a concentration of private media. A few billionaire industrialists, owners of televisions, radios, newspapers use their media to defend their private interests. To the detriment of information of public interest. By hiding what is essential, by magnifying what is accessory, these media shape, orientate, hysterize for some the debate. With the complicity of certain political leaders, who willingly accept it. Mediapart and Premières Lignes tell you what goes on behind the scenes in the media.

En route to a party, two strangers get stuck in an elevator on New Year's Eve — and find themselves connecting in unexpected ways.

London, June 29th, 1613. The Globe Theater, ran by the famous playwright William Shakespeare, accidentally burns to ashes. Seriously affected, he stops writing and returns to his hometown, where his wife Anne and daughters Judith and Susanna get surprised to hear he intends to stay there definitively, after two decades working in the capital, neglecting his sincere affections for them.

Bad boy or football genius? Famed French footballer Nicolas Anelka's controversial legacy is examined in an unflinching documentary.

Lucía (Belén Rueda) is a woman for whom leading a model life and taking control of her life is the most important thing. Since she got married, she has focused all of her efforts on caring for her family, until achieving what for her is a perfect family. However, her entire world begins to collapse with the arrival of Sara (Carolina Yuste), the girlfriend of her son; a young girl with great freedom and without mincing words who has a very different family from what Lucia always dreamed of as a political family. Now, Lucia must accept that the perfect family was not exactly what she thought.

While driving through the kilometer 31 of a lonely road, Agata Hameran hits a boy. She leaves her car to help the victim and another car runs over her and she falls in a deep coma. Her twin sister Catalina telepathically feels the pain of Agata and hears her whispering for help. Together with her boyfriend Nuno and Agata's mate Omar, they return to the km 31 of the road, and find out that the place is surrounded by supernatural accidents caused by the ghost of a mother that lost her boy many years ago. Further, Catalina discloses that the spirit of Agata is trapped between the worlds of the living and the dead.

The story of a young woman clinging on to her dream to become a beauty contest queen in a Mexico dominated by organized crime.