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he opening credits are homage to depression era films, complete with crackle sounds and cuts that simulate a broken projector. Accompanied by Henry Hall's haunting Hush, Hush, Here Comes the Bogeyman, the credit sequence and the interludes between the scenes are a significant part of the narrative story arc which revolves around the fantasy of Belladonna as the Doll Maker, a cross between Pinocchio's Geppetto, the Wizard of Oz and a perverted Doctor Frankenstein, bringing dolls to life in her workshop so they can engage in lesbian depravity with each other... often assisted by Belladonna herself.
Director
Status
Released
Original Language
EN
