Una Maid en Manhattan (2011)

The story of Phoenician princess Jezebel, an idol worshipper who marries King Ahab and uses her beauty and wickedness to try to impose on the Israelite people the worship of her pagan gods.

After witnessing a murder, single mother Estela Carrillo must hide the fact that she is an undocumented immigrant escaping a dark past. While hiding her secret, romantic interests and her dream of becoming a singer complicate her plans.

Camila Monterde is a beautiful veterinarian whose life has been torn apart by a tragic accident in which her fiancé, Luis, was killed. Hoping to ease her depression, her uncle, Daniel Monterde, invites her to live at his ranch, where she can rest and recover while caring for the many animals he keeps there. Meanwhile, in Chile, Daniel Diaz suddenly receives a letter stating that he has come into a substantial inheritance and must travel to Mexico to claim it. Surprised and curious, he’s about to make the trip when a vicious lie disrupts his plans and lands him in prison, causing him to lose the inheritance and his family. Deeply bitter and hungry for revenge, Daniel travels to Mexico determined to destroy the Monterde family, which he blames for his terrible misfortune. He takes a job at the Monterde ranch to be close to his prey. His vengeance is perfectly planned except for one unexpected development: he and Camila fall passionately in love and that changes everything.

A high society woman loses everything and has to move with her three daughters, and her mom to a middle-class neighborhood.

The story of the first 2,300 years of humanity and recounts events exclusively from that period. The plot begins by giving us a greater understanding of why we exist and how we turned from perfection to imperfection. The origin of all social and racial problems is there at the beginning of everything, when via one decision a human being who only knew good and enjoyed it so much also chose to know evil.

Yo no creo en los hombres (I don't trust men anymore) is a Mexican telenovela produced by Giselle González for Televisa. It is based on Yo no creo en los hombres (1991), produced in México.

Fernando Lascurain is a wealthy businessman and recent widower, attempting to raise his seven unruly children. He seeks the assistance of a new nanny. He hires and falls in love with Ana Leal, a struggling exotic dancer who tries to hide her double life. Although Ana lacks experience and a refined education, she quickly bonds with the Lascurain children. Ana dreams of being a mother, but when her home is destroyed following an accident, she must borrow money from her ruthless boss at "Chicago", the night club where she is secretly employed. When Fernando simultaneously falls for Ana and Isabela, an economist and sophisticated woman who is trained by her mother to marry a millionaire, he must choose between both women.

The series revolves around Toño, who accidentally discovers that he possibly has a twin brother named Ricardo, a high-class man who works at a large company. After Ricardo suffers an accident, Toño replaces him and lives an idyllic of love next to Natalia, a woman who was engaged to Ricardo. After the accident, Ricardo suffers from amnesia and begins a relationship with his neighbor Fabiana, a nice, simple, and honest young woman who has been in love with Tono since they were kids. Little by little, Ricardo suspects that the life he is living isn't his, and will try to discover the truth.

La Gata is an upcoming Mexican telenovela to be produced by Nathalie Lartilleux for Televisa. It is a remake of the Venezuelan telenovela La Gata, produced in 1968 and Mexican telenovela Rosa Salvaje produced in 1987.

Over a road trip, triplets Ana Laura, Ana Leticia, and Ana Lucía, along with their parents, suffer a dramatic accident crashing by the side of a river. The consequences of this event are catastrophic: Both parents die, Ana Laura loses one leg, and Ana Lucía, unconscious, is dragged by the river’s flow. Only Ana Leticia, who actually caused the accident, emerges unscathed. Soledad, a woman who was seriously hurt after her daughter’s death, helps Ana Lucía, whom she finds agonizing. Although Soledad discovers who the girl is, she takes advantage of her memory loss regarding the accident and her family and decides to keep her, making her believe she is her mother. Despite everyone declares Ana Lucía is death, Ernestina, the triplets' grandmother, and Ramiro, their uncle, don’t give up and do everything they can to find Ana Lucía. But years go by, the same as their wishful