The Ultimate Addiction (2014)

The lives of a group of Southerners who are always broke as a joke and struggling for the American dream of status and wealth. What they don’t realize is that they’re already rich — in friends, family and laughter.

The story revolves around Nima Afshar a psychologist, getting underestimated by his family and colleagues constantly,and failing at all his attempts to have a place amongst doctors and society.

After a horrible massacre in a village where twelve people lost their lives, the killer shoots himself in the head, but with a strange combination of circumstances, he still remains alive. Petar, a BIA operative, is trying to figure out what actually happened because the killer, before he shot himself, uttered the word "katabaza", the same one that his late son said before he committed suicide. The psychologist Natasha helps him in that, who, unlike Petra, rationalizes the whole case, and does not think that there is anything mysterious in it.

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A dark terror has come to the picture-perfect town of Jerusalem's Lot, and it's up to a writer with a haunted past to uncover the horror that has taken over the town.

Picking up where 'The New Scooby and Scappy Doo Show' left off. The main difference being that the team is now occasionally joined by Daphne Blake and friends to solve mysteries together.

A five-person team comprised of a thief, a grifter, a hacker, and a retrieval specialist, led by former insurance investigator Nathan Ford, use their skills to fight corporate and governmental injustices inflicted on ordinary citizens.

Meet Cody and the Helpsters, a team of vibrant monsters who love to solve problems. Whether it's planning a party, climbing a mountain, or mastering a magic trick, the Helpsters can figure anything out—because everything starts with a plan.

On the Buses is a British comedy series created by Ronald Wolfe and Ronald Chesney, broadcast in the United Kingdom from 1969 to 1973. The writers' previous successes with The Rag Trade and Meet the Wife were for the BBC, but the corporation rejected On the Buses, not seeing much comedy potential in a bus depot as a setting. The comedy partnership turned to a friend, Frank Muir, Head of Entertainment at London Weekend Television, who loved the idea; the show was accepted and despite a poor critical reception became a hit with viewers.

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