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Prospects is a British television comedy drama series that was written by Alan Janes and originally shown on Channel 4 in 1986. Created by Euston Films who had a pedigree of producing successful, gritty drama such as The Sweeney and Minder, it followed the exploits of two East End 'geezer' characters - Jimmy 'Pincy' Pince played by Gary Olsen and Billy played by Brian Bovell and their trials and tribulations of making a living in London's Isle of Dogs. Comprising 12 episodes Prospects - with a comic slant, dealt with many of the major issues affecting British society at the height of the "Thatcherite" '80's including unemployment, crime, poverty, regeneration, social change and racism. Prospects gained a cult following and ratings wise it performed well above expectation for Channel 4. At that time Channel Four received a large subsidy from the rival commercial network ITV in exchange for the right to sell airtime; this gave ITV a significant input into the management of the station. The success of Prospects and the fact that it was produced by a subsidiary of the ITV network's largest station Thames Television meant it was moved to a 9pm prime-time repeat slot on ITV in the Spring/Summer of 1987. This fuelled rumours that the network wanted to develop Prospects into a long-running comedy drama series. However despite seeing potential ITV declined the opportunity to develop it beyond the original first series.
Status
Ended
Type
Scripted
Seasons
1
Episodes
12
12 episodes

Those who remember the awkward years of adolescence can relive those painful days in this British comedy series, where the cringe-inducing humor arises from the ill-fated antics of its four protagonists. Suburban teenage friends Will, Simon, Jay and Neil, students at Rudge Park Comprehensive, attempt to navigate the social scene, attract members of the gentler sex, and saunter among the cool crowd. However, despite their best efforts, the four hapless lads usually end up on the side of the nerds.

Life’s good for deliveryman Doug Heffernan, until his newly widowed father-in-law, Arthur, moves in with him and his wife Carrie. Doug is no longer the king of his domain, and instead of having a big screen television in his recently renovated basement, he now has a crazy old man.