Once We Were Six (2019)

After the mysterious disappearance of his father, Joventino, the cowboy José Leôncio becomes a wealthy farm owner in Pantanal. Over twenty years have passed and, bitter-hearted because of his father vanishing and the escape of his wife to Rio de Janeiro with his baby, José Leôncio has the chance to make amends with the boy, now a young man raised in the big city with very different values and habits than his own.

The story of the first 2,300 years of humanity and recounts events exclusively from that period. The plot begins by giving us a greater understanding of why we exist and how we turned from perfection to imperfection. The origin of all social and racial problems is there at the beginning of everything, when via one decision a human being who only knew good and enjoyed it so much also chose to know evil.

Julieta is quite happy in her relationship with her live in boyfriend, Robert... and thrilled that she won't have to deal with in-laws since Robert doesn't know his family. Things start going downhill for the couple when they rent an apartment from a very eccentric family dealing with a traumatic incident from their past.

Corazón indomable is a Mexican telenovela produced by Nathalie Lartilleux for Televisa. It is a remake of Marimar, produced in 1994, and starring Thalía and Eduardo Capetillo. Ana Brenda Contreras and Daniel Arenas star as the protagonists, while Ingrid Martz, Elizabeth Álvarez, Carlos de la Mota and René Strickler star as the antagonists.

A humble young woman allows herself be manipulated by her twin sister to replace her so she can leave with another man.

Over a road trip, triplets Ana Laura, Ana Leticia, and Ana Lucía, along with their parents, suffer a dramatic accident crashing by the side of a river. The consequences of this event are catastrophic: Both parents die, Ana Laura loses one leg, and Ana Lucía, unconscious, is dragged by the river’s flow. Only Ana Leticia, who actually caused the accident, emerges unscathed. Soledad, a woman who was seriously hurt after her daughter’s death, helps Ana Lucía, whom she finds agonizing. Although Soledad discovers who the girl is, she takes advantage of her memory loss regarding the accident and her family and decides to keep her, making her believe she is her mother. Despite everyone declares Ana Lucía is death, Ernestina, the triplets' grandmother, and Ramiro, their uncle, don’t give up and do everything they can to find Ana Lucía. But years go by, the same as their wishful

La Impostora, is a Spanish-language telenovela presumably to be produced by United States-based television network Telemundo Studios, Miami.

After witnessing a murder, single mother Estela Carrillo must hide the fact that she is an undocumented immigrant escaping a dark past. While hiding her secret, romantic interests and her dream of becoming a singer complicate her plans.

Yo no creo en los hombres (I don't trust men anymore) is a Mexican telenovela produced by Giselle González for Televisa. It is based on Yo no creo en los hombres (1991), produced in México.

Fernando Lascurain is a wealthy businessman and recent widower, attempting to raise his seven unruly children. He seeks the assistance of a new nanny. He hires and falls in love with Ana Leal, a struggling exotic dancer who tries to hide her double life. Although Ana lacks experience and a refined education, she quickly bonds with the Lascurain children. Ana dreams of being a mother, but when her home is destroyed following an accident, she must borrow money from her ruthless boss at "Chicago", the night club where she is secretly employed. When Fernando simultaneously falls for Ana and Isabela, an economist and sophisticated woman who is trained by her mother to marry a millionaire, he must choose between both women.