Für alle Fälle Stefanie (1995)

Raquel and Damián are happily married with two children. Destiny leads Damián to meet Carolina and feels an undeniable attraction towards her. Damián did not know that Carolina was already married to Santiago Álvarado, a construction architect with whom she has two children. When Raquel drops off her son Fede at school, she accidentally backs her car to Santiago's truck, and they realize that their sons know each other. Raquel volunteers to pay for the damages but Santiago refuses. Raquel insists and goes to the Álvarado home with Damián. The two couples become great friends. But the desire between Damián and Carolina is stronger than their marriage commitment and both decide to deceive to their spouses. Damián and Carolina have a terrible car accident. Rescuers only find a seriously injured Damián, and Carolina has mysteriously disappeared from the scene. During the investigation by the police, Raquel and Santiago learn that their spouses are lovers.

The story of Phoenician princess Jezebel, an idol worshipper who marries King Ahab and uses her beauty and wickedness to try to impose on the Israelite people the worship of her pagan gods.

The story of two lawyers specializing in family law, Ricardo and Alejandra, that despite coming from two disappointments and being in a world where it seems that love loses strength, before so much divorce, they still have faith in finding true love.

The story of Yaman, a successful businessman who is incapable of love because of his traumatic childhood. There is only one person that he feels something for, his young nephew Yusuf. When Yusuf's mother dies unexpectedly, his aunt Seher, a beautiful, courageous young woman, moves into the family mansion to take care of him.

La Patrona is a Spanish-language telenovela produced by United States-based television network Telemundo Studios, Miami and Mexican Argos Comunicación. The telenovela is a remake of the Venezuelan telenovela La Dueña, written by José Ignacio Cabrujas. The name reflects a local term or slang in Mexico to address a person recognized as the main boss. However, the title is also a reflection of both the protagonist and the antagonist struggle to conquer power, authority and respect in a labor field traditionally deemed to be a man's job.

La Impostora, is a Spanish-language telenovela presumably to be produced by United States-based television network Telemundo Studios, Miami.

Catarina embarks on a dangerous journey to find who made her mother vanish. The Torres family seems to be the obvious suspect, but within them there's Vasco, the love of Catarina's life. Two opposed sides connected by love.

Four women of different ages and social strata are forced to live together under the same roof. At first, the coexistence between them is complicated and tense due to their different visions and ways of facing life, but little by little the sisterhood and solidarity prevail when realizing the peculiar bond that exists between them: each one has suffered, in one or otherwise, the absence and abandonment of their respective partners.

Marido En Alquiler is a Spanish-language telenovela produced by United States-based television network Telemundo Studios, Miami and Brazilian Rede Globo. It is a remake of the Brazilian telenovela, Fina Estampa, although the working title for the project was Reina Madre. Sonya Smith and Juan Soler star as the protagonists, marking the latter's debut with Telemundo after signing an exclusivity agreement with the network in 2013, with Maritza Rodríguez and Miguel Varoni star as the main antagonists.

Two very different families live in the village of Santa Lucía who are involved in a whirlwind of passion, pain, and revenge. The rivaling families are the Mendozas and the Alcocers. Severiano Mendoza and Candela Santana are a rich and powerful marriage who live at the ranch, "Las Ánimas", along with their young son, Cristóbal. Roberta and Raymundo Alcocer also have a daughter named Alonza; however, they do not live with the same luxuries as the Mendoza family, which causes frustration and resentment in Roberta as nothing is enough to fill the inferiority complex that follows her like a shadow.