Daniel Fish is a New York-based director who makes work across the boundaries of theater, film, and opera. He draws on a broad range of forms and subject matter including plays, film scripts, contemporary fiction, essays and found audio. His 2019 production of OKLAHOMA! transferred to Broadway from St. Ann’s Warehouse and won the Tony Award for Best Musical Revival. Other recent work includes WHITE NOISE, inspired by the novel by Don DeLillo (Ruhrfestspiele Recklingshausen, Theater Freiburg, and Skirball NYU), Michael Gordon’s opera, ACQUANETTA (Prototype Festival), Don’t Look Back (The Chocolate Factory), Who Left This Fork Here (Baryshnikov Arts Center, Onassis Center), Ted Hearne’s The Source (BAM NEXT WAVE, L.A Opera, San Francisco Opera), and ETERNAL, a video installation.
Daniel Fish is a New York-based director who makes work across the boundaries of theater, film, and opera. He draws on a broad range of forms and subject matter including plays, film scripts, contemporary fiction, essays and found audio. His 2019 production of OKLAHOMA! transferred to Broadway from St. Ann’s Warehouse and won the Tony Award for Best Musical Revival. Other recent work includes WHITE NOISE, inspired by the novel by Don DeLillo (Ruhrfestspiele Recklingshausen, Theater Freiburg, and Skirball NYU), Michael Gordon’s opera, ACQUANETTA (Prototype Festival), Don’t Look Back (The Chocolate Factory), Who Left This Fork Here (Baryshnikov Arts Center, Onassis Center), Ted Hearne’s The Source (BAM NEXT WAVE, L.A Opera, San Francisco Opera), and ETERNAL, a video installation.
Daniel Fish is a New York-based director who makes work across the boundaries of theater, film, and opera. He draws on a broad range of forms and subject matter including plays, film scripts, contemporary fiction, essays and found audio. His 2019 production of OKLAHOMA! transferred to Broadway from St. Ann’s Warehouse and won the Tony Award for Best Musical Revival. Other recent work includes WHITE NOISE, inspired by the novel by Don DeLillo (Ruhrfestspiele Recklingshausen, Theater Freiburg, and Skirball NYU), Michael Gordon’s opera, ACQUANETTA (Prototype Festival), Don’t Look Back (The Chocolate Factory), Who Left This Fork Here (Baryshnikov Arts Center, Onassis Center), Ted Hearne’s The Source (BAM NEXT WAVE, L.A Opera, San Francisco Opera), and ETERNAL, a video installation.
Gender
Male
