Theo Panagopoulos is a Greek-Lebanese-Palestinian filmmaker, film programmer, educator and PhD researcher based in Scotland. His creative and academic work explore themes of collective memory, displacement, fragmented identities and resistance often through anti-colonial, participatory and archival methodologies.
Theo Panagopoulos is a Greek-Lebanese-Palestinian filmmaker, film programmer, educator and PhD researcher based in Scotland. His creative and academic work explore themes of collective memory, displacement, fragmented identities and resistance often through anti-colonial, participatory and archival methodologies.
Theo Panagopoulos is a Greek-Lebanese-Palestinian filmmaker, film programmer, educator and PhD researcher based in Scotland. His creative and academic work explore themes of collective memory, displacement, fragmented identities and resistance often through anti-colonial, participatory and archival methodologies.
His most recent film is a documentary essay called “The Flowers Stand Silently, Witnessing”, has screened in more than 150 festivals worldwide. It has own the Grand Jury Prize at Sundance in 2025, the Best Short Film at IDFA in 2024, was nominated for a BAFTA award in 2025, has been nominated as a short film candidate for the European Film Academy 2026 as well as winning major awards in festivals such as Go Short, London Short Film Festival, Braziers, Salem, Interaction and others. It was also screened as part of SOIL exhibition at Somerset House, London between January and April 2025.
He is currently developing his first feature documentary film supported by BFI Doc Society and the Arab Fund for Arts and Culture (AFAC) with the title Before Our Diaspora.
He is completing a practice-as-research PhD at the University of West of Scotland which explores decolonial methodologies and performance as counternarrative to never-befores-seen film archives of 1930s Palestine.
Gender
Not specified
