Helen Marsh is a festival-showcased and produced screenwriter with a love for the dark and uncanny. She grew up on the largest yak farm in Canada with a slaughterhouse in her backyard and a typewriter on her desk. Attending Vancouver Film School in 2018, she wrote her first feature screenplay, Alice Through the Microscope, which placed as a finalist at the Vancouver International Women in Film Festival in 2019. She then went on to get her Masters of English at the University of Northern British Columbia.
Helen Marsh is a festival-showcased and produced screenwriter with a love for the dark and uncanny. She grew up on the largest yak farm in Canada with a slaughterhouse in her backyard and a typewriter on her desk. Attending Vancouver Film School in 2018, she wrote her first feature screenplay, Alice Through the Microscope, which placed as a finalist at the Vancouver International Women in Film Festival in 2019. She then went on to get her Masters of English at the University of Northern British Columbia.
Helen Marsh is a festival-showcased and produced screenwriter with a love for the dark and uncanny. She grew up on the largest yak farm in Canada with a slaughterhouse in her backyard and a typewriter on her desk. Attending Vancouver Film School in 2018, she wrote her first feature screenplay, Alice Through the Microscope, which placed as a finalist at the Vancouver International Women in Film Festival in 2019. She then went on to get her Masters of English at the University of Northern British Columbia.
Since graduating, Helen has been writing thrillers and romcoms, with produced titles including His Deadly Affair, Obsessed with the Babysitter and Blue Moon Ball. She is currently head of development for Enlighten Content and an Executive Producer on reality TV show @Home with Tori.
Gender
Female
