Caroline Mariko Stucky is an award winning Swiss-Japanese independent filmmaker with a fierce passion for American culture. For Caroline, film, the world of the image, is the ultimate language that trumps the whirling kaleidoscope of spoken languages of her childhood. As a director, the 2013-2014 season has marked the premieres of her two short films "Paper Boats" and "ColorBlind" in New York, as well as the beginning of work for her first feature film.
Caroline Mariko Stucky is an award winning Swiss-Japanese independent filmmaker with a fierce passion for American culture. For Caroline, film, the world of the image, is the ultimate language that trumps the whirling kaleidoscope of spoken languages of her childhood. As a director, the 2013-2014 season has marked the premieres of her two short films "Paper Boats" and "ColorBlind" in New York, as well as the beginning of work for her first feature film.
Caroline Mariko Stucky is an award winning Swiss-Japanese independent filmmaker with a fierce passion for American culture. For Caroline, film, the world of the image, is the ultimate language that trumps the whirling kaleidoscope of spoken languages of her childhood. As a director, the 2013-2014 season has marked the premieres of her two short films "Paper Boats" and "ColorBlind" in New York, as well as the beginning of work for her first feature film.
She has worked on several theater productions, including Pierric Tenthorey's "Homme encadré sur fond blanc" (2010-2012), Domenico Carli's "Boléros" with Atelier C in 2008, "Don Juan" with the Sun & Moon Theater Company in 2008, and Robert Wilson's "In the Evening at Koi Pond" with Change Performing Arts Milano at the 2005 Aichi World Expo in Nagoya.
Gender
Female
Also Known As
