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Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist.
1978
Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist.
He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.
Gender
Male
Birthday
May 31, 1917
Died
February 18, 2004
Birthplace
Paris, France
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The Doll
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The Lovely Month of May
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Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)
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Cinéma! Cinéma! The French New Wave
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Son of Gascogne
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World Without a Game
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Chronicle of a Summer
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Jean Rouch, des mensonges plus vrais que la réalité
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Nouvelle Vague : El cine sin dogmas
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La Nouvelle Vague par elle-même
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Freddy Buache, le cinéma
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Ciné-mafia
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My Conversations on Film
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Civilisation: L'homme et les images
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Ciné-Portrait of Raymond Depardon
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The Mad Masters
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Jean Epstein, Young Oceans of Cinema
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Letter to Jean Rouch
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+ 19 more movies