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Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist.
L’Enigma di Jean Rouch a Torino - Cronaca di un film raté
2017
Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist.
He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.
Gender
Male
Birthday
May 31, 1917
Died
February 18, 2004
Birthplace
Paris, France
Also Known As
Pierre Fatumbi Verger: Messenger Between Two Worlds
1998
L’Enigma di Jean Rouch a Torino - Cronaca di un film raté
2017
Son of Gascogne
1995
Cinéma! Cinéma! The French New Wave
1992
World Without a Game
1966
Maya Deren, Take Zero
2012
The Doll
1962
Sodankylä Forever
2010
Cinématon
1978
Chronicle of a Summer
1961
The Lovely Month of May
1963
Jean Epstein, Young Oceans of Cinema
2011
Nouvelle Vague : El cine sin dogmas
2000
La Nouvelle Vague par elle-même
1964
Civilisation: L'homme et les images
1967
Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)
1999
Freddy Buache, le cinéma
2012
Ciné-mafia
1980
The Mad Masters
1955
Portrait de Jean Rouch
2004
+ 19 more movies