39
Age
20
Movies
5.5
Rating
Michael Findlay, along with his wife Roberta Findlay, directed and produced numerous sexploitation movies. They have been described as "the most notorious filmmakers in the annals of sexploitation". In the mid-to-late 1960s, Findlay was prominent among a small group of underground New York filmmakers (including Joseph W. Sarno, Joseph P. Mawra, and Lou Campa) that produced exploitation "roughies" (a mix of sex and sadism) for the grindhouse theater market. Sometimes he would direct under the alias Julian Marsh and act in his own films billed as Robert West. His wife Roberta (aka Anna Riva) was the cinematographer, co-writer, and supporting actress for many of their films together. They also employed the same actors repeatedly, most notably Uta Erickson, and Marie Brent, aka Janet Banzet. The Findlays were friends with George Weiss, producer of Ed Wood's Glen or Glenda and a series of fetishistic Olga films (Olga's House of Shame, Olga's Girls, et al.). In 1964 Weiss encouraged them to make films in this new subgenre of violent sexploitation.
39
Died at
20
Movies
5.5
Avg Rating
Michael Findlay, along with his wife Roberta Findlay, directed and produced numerous sexploitation movies. They have been described as "the most notorious filmmakers in the annals of sexploitation". In the mid-to-late 1960s, Findlay was prominent among a small group of underground New York filmmakers (including Joseph W. Sarno, Joseph P. Mawra, and Lou Campa) that produced exploitation "roughies" (a mix of sex and sadism) for the grindhouse theater market. Sometimes he would direct under the alias Julian Marsh and act in his own films billed as Robert West. His wife Roberta (aka Anna Riva) was the cinematographer, co-writer, and supporting actress for many of their films together. They also employed the same actors repeatedly, most notably Uta Erickson, and Marie Brent, aka Janet Banzet. The Findlays were friends with George Weiss, producer of Ed Wood's Glen or Glenda and a series of fetishistic Olga films (Olga's House of Shame, Olga's Girls, et al.). In 1964 Weiss encouraged them to make films in this new subgenre of violent sexploitation.
1974
Michael Findlay, along with his wife Roberta Findlay, directed and produced numerous sexploitation movies. They have been described as "the most notorious filmmakers in the annals of sexploitation". In the mid-to-late 1960s, Findlay was prominent among a small group of underground New York filmmakers (including Joseph W. Sarno, Joseph P. Mawra, and Lou Campa) that produced exploitation "roughies" (a mix of sex and sadism) for the grindhouse theater market. Sometimes he would direct under the alias Julian Marsh and act in his own films billed as Robert West. His wife Roberta (aka Anna Riva) was the cinematographer, co-writer, and supporting actress for many of their films together. They also employed the same actors repeatedly, most notably Uta Erickson, and Marie Brent, aka Janet Banzet. The Findlays were friends with George Weiss, producer of Ed Wood's Glen or Glenda and a series of fetishistic Olga films (Olga's House of Shame, Olga's Girls, et al.). In 1964 Weiss encouraged them to make films in this new subgenre of violent sexploitation.
Description above from the Wikipedia article Michael Findlay, licensed under CC-BY-SA, full list of contributors on Wikipedia
Gender
Male
Birthday
August 27, 1937
Died
May 16, 1977
Birthplace
New York City, New York, USA
Also Known As
Janie
1970
Snuff
1976
Shriek of the Mutilated
1974
The Ultimate Degenerate
1969
The Curse of Her Flesh
1968
The Touch of Her Flesh
1967
Take Me Naked
1966
The Slaughter
1971
The Kiss of Her Flesh
1968
Body of a Female
1964
Mnasidika
1969
A Thousand Pleasures
1968
Party Levitation
2021
The Sin Syndicate
1965
Take My Head
1970
Lusting Hours
1967
Virgins in Heat
1976
The Altar of Lust
1971
Bacchanale
1970
Wet and Wild
1976
