When Tarkovsky inscribed and sent his child's drawing to the imprisoned Paradjanov, who annotated and forwarded it to the blacklisted Vartanov for his son Martiros — Boy With A Movie Camera — he became their disciple. His first film, The Last Film, dedicated to them, was released by Criterion. A graduate of UCLA, he was a juror and a curator at festivals in Los Angeles, Busan, and DOC LA, and worked on the restoration of the masterpiece The Color of Pomegranates selected for Festival de Cannes
When Tarkovsky inscribed and sent his child's drawing to the imprisoned Paradjanov, who annotated and forwarded it to the blacklisted Vartanov for his son Martiros — Boy With A Movie Camera — he became their disciple. His first film, The Last Film, dedicated to them, was released by Criterion. A graduate of UCLA, he was a juror and a curator at festivals in Los Angeles, Busan, and DOC LA, and worked on the restoration of the masterpiece The Color of Pomegranates selected for Festival de Cannes
When Tarkovsky inscribed and sent his child's drawing to the imprisoned Paradjanov, who annotated and forwarded it to the blacklisted Vartanov for his son Martiros — Boy With A Movie Camera — he became their disciple. His first film, The Last Film, dedicated to them, was released by Criterion. A graduate of UCLA, he was a juror and a curator at festivals in Los Angeles, Busan, and DOC LA, and worked on the restoration of the masterpiece The Color of Pomegranates selected for Festival de Cannes
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