30
Years
18
Movies
9
TV Shows
6.2
Rating
Kristine Froseth (/ˈfroʊsɛθ/; Norwegian: Frøseth; born September 21, 1995) is an American and Norwegian actress. She is known for playing Kelly Aldrich in the Netflix series The Society (2019), Alaska Young in the Hulu series Looking for Alaska (2019), and Nan St. George in the Apple TV+ series The Buccaneers (2023). In 2022, she starred in the Showtime series The First Lady as young Betty Ford.
30
Years Old
18
Movies
9
TV Shows
6.2
Avg Rating
Kristine Froseth (/ˈfroʊsɛθ/; Norwegian: Frøseth; born September 21, 1995) is an American and Norwegian actress. She is known for playing Kelly Aldrich in the Netflix series The Society (2019), Alaska Young in the Hulu series Looking for Alaska (2019), and Nan St. George in the Apple TV+ series The Buccaneers (2023). In 2022, she starred in the Showtime series The First Lady as young Betty Ford.
2019
Kristine Froseth (/ˈfroʊsɛθ/; Norwegian: Frøseth; born September 21, 1995) is an American and Norwegian actress. She is known for playing Kelly Aldrich in the Netflix series The Society (2019), Alaska Young in the Hulu series Looking for Alaska (2019), and Nan St. George in the Apple TV+ series The Buccaneers (2023). In 2022, she starred in the Showtime series The First Lady as young Betty Ford.
She is also known for acting in films, taking supporting roles in Sierra Burgess Is a Loser (2018), The Assistant (2019), and Oh, Canada (2024) while also taking leading roles in Sharp Stick (2022) and How to Blow Up a Pipeline (2022).
Description above from the Wikipedia article Kristine Froseth, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Gender
Female
Birthday
September 21, 1995
Birthplace
Summit, New Jersey, USA
Apostle
2018
The Assistant
2020
Oh, Canada
2024
Sierra Burgess Is a Loser
2018
Rebel in the Rye
2017
Birds of Paradise
2021
Sharp Stick
2022
Her Private Hell
—
Pickleheads
2025
Desert Road
2024
Low Tide
2019
How to Blow Up a Pipeline
2023
Prey
2019
College Republicans
—
Snorkeling
2023
Pretty Is
2017
The Face of Horror
—
Unfounded
2016