2
Movies
Érik Bullot is a filmmaker and theorist. His films have been screened at numerous festivals and museums, such as the Jeu de Paume (Paris), La Enana Marrón (Madrid), the Biennale de l’Image en Mouvement (Geneva), the CCCB, the New Museum (New York), the Museo de Arte Moderno in Buenos Aires and the Cineteca Nacional de Chile, among others, as well as forming part of several collections: Centre Pompidou (Paris), Departmental Contemporary Art Collection (Seine Saint-Denis) and Xcèntric (Barcelona). He has recently exhibited at MUCEM (Marseille) and ISELEP (Brussels). He has published several books on film, including: Sayat Nova (Yellow Now, 2007), Renversements 1 & 2. Notes sur le cinéma (Paris Expérimental, 2009 and 2013), Sortir du cinéma (Mamco, 2013 ), Le Film et son double (Mamco, 2017), Roussel et le cinéma (Nouvelles Éditions Place, 2020), L’Attrait des ventriloques (Yellow Now, 2022) and, in Spanish, El cine es una invención post-mortem (Shangrila, 2015), Fotogenias y paradojas (UNTREF, 2018), Salir del cine (Shangrila, 2020) and Cine de la posible (Metales pesados, 2021). Currently, a professor at the National School of Fine Arts in Bourges (France), he has taught film and photography at a variety of art schools: Marseille, Le Fresnoy, Arles and Avignon.
2
Movies
Érik Bullot is a filmmaker and theorist. His films have been screened at numerous festivals and museums, such as the Jeu de Paume (Paris), La Enana Marrón (Madrid), the Biennale de l’Image en Mouvement (Geneva), the CCCB, the New Museum (New York), the Museo de Arte Moderno in Buenos Aires and the Cineteca Nacional de Chile, among others, as well as forming part of several collections: Centre Pompidou (Paris), Departmental Contemporary Art Collection (Seine Saint-Denis) and Xcèntric (Barcelona). He has recently exhibited at MUCEM (Marseille) and ISELEP (Brussels). He has published several books on film, including: Sayat Nova (Yellow Now, 2007), Renversements 1 & 2. Notes sur le cinéma (Paris Expérimental, 2009 and 2013), Sortir du cinéma (Mamco, 2013 ), Le Film et son double (Mamco, 2017), Roussel et le cinéma (Nouvelles Éditions Place, 2020), L’Attrait des ventriloques (Yellow Now, 2022) and, in Spanish, El cine es una invención post-mortem (Shangrila, 2015), Fotogenias y paradojas (UNTREF, 2018), Salir del cine (Shangrila, 2020) and Cine de la posible (Metales pesados, 2021). Currently, a professor at the National School of Fine Arts in Bourges (France), he has taught film and photography at a variety of art schools: Marseille, Le Fresnoy, Arles and Avignon.
Érik Bullot is a filmmaker and theorist. His films have been screened at numerous festivals and museums, such as the Jeu de Paume (Paris), La Enana Marrón (Madrid), the Biennale de l’Image en Mouvement (Geneva), the CCCB, the New Museum (New York), the Museo de Arte Moderno in Buenos Aires and the Cineteca Nacional de Chile, among others, as well as forming part of several collections: Centre Pompidou (Paris), Departmental Contemporary Art Collection (Seine Saint-Denis) and Xcèntric (Barcelona). He has recently exhibited at MUCEM (Marseille) and ISELEP (Brussels). He has published several books on film, including: Sayat Nova (Yellow Now, 2007), Renversements 1 & 2. Notes sur le cinéma (Paris Expérimental, 2009 and 2013), Sortir du cinéma (Mamco, 2013 ), Le Film et son double (Mamco, 2017), Roussel et le cinéma (Nouvelles Éditions Place, 2020), L’Attrait des ventriloques (Yellow Now, 2022) and, in Spanish, El cine es una invención post-mortem (Shangrila, 2015), Fotogenias y paradojas (UNTREF, 2018), Salir del cine (Shangrila, 2020) and Cine de la posible (Metales pesados, 2021). Currently, a professor at the National School of Fine Arts in Bourges (France), he has taught film and photography at a variety of art schools: Marseille, Le Fresnoy, Arles and Avignon.
Gender
Male
Birthplace
Soissons, Aisne, France
Also Known As
