66
Years
17
Movies
2.4
Rating
Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.
66
Years Old
17
Movies
2.4
Avg Rating
Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.
Crying Rope, Missing Black Hair
1983
Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.
Gender
Male
Birthday
August 15, 1959
Birthplace
Shizuoka, Shizuoka Prefecture, Japan
Also Known As
Wakazuma Misshitsu Bôkô Jiken
1985
Female Prisoners: Brutal Treatment
1984
Crying Rope, Missing Black Hair
1983
Zetsukin gyaru: Yaruki munmun
1985
Tokyo Elegy
1999
Groper Train: Final Stop
1986
Chikan densha: Iyarashii kôi
1993
Delivery Wife: Get Wet!
1984
Pink Physical Examination
1985
Groper Train: Start at the Back
1987
Cross the Lens
2006
Young Wife Assault Pervert
1982
Autumn
2016
Hometown Porn Girl 18! Seeding Festival
1984
In The Sea of Trees
—
I Stand Alone - SEX & LOVE
1996
Japanscope, panorama de la nouvelle Nouvelle Vague
2015