77
Age
44
Movies
25
TV Shows
7.2
Rating
Emigrating to England in 1933 as the Nazis began their rise to power, Wengraf appeared unbilled in a couple of films there, as well as in some of the first BBC live-television shows ever presented but his career began to languish. In late 1941, however, he had the good fortune of appearing on Broadway with Helen Hayes in "Candle in the Wind" and decided to stay. The following year he headed west and settled permanently in the Los Angeles area. A dark, cold-eyed, thin-lipped player with a precise, meticulous air about him, he found himself invariably playing the very characters he detested. Some of his more nefarious nasties surfaced in such films as the Humphrey Bogart classic Sahara (1943/I), as well as The Boy from Stalingrad (1943), U-Boat Prisoner (1944) and Till We Meet Again (1944). In postwar years, he was often spotted portraying ethnic professionals (scientists, doctors, professors, foreign royalty). Some of the more quality pictures he enhanced were Tomorrow Is Forever (1946); Count Von Papen in 5 Fingers (1952); and Ronchin in the Ethel Merman musical Call Me Madam (1953). Although Wengraf never made it to the very top of the Hollywood character ranks, he remained a throughly strong and reliable player. In the 1950s and 1960s he transferred his talents to TV, appearing on a number of dramatic showcases and on such popular programs as "The Untouchables" (1959), "Hawaiian Eye" (1959), "The Man from U.N.C.L.E." (1964) and "The Time Tunnel" (1966). His last few films included minor roles in the war-themed Judgment at Nuremberg (1961), Hitler (1962) and Ship of Fools (1965). He retired in 1966, and died in Santa Barbara, California, at age 77, on May 4, 1974.
77
Died at
44
Movies
25
TV Shows
7.2
Avg Rating
Emigrating to England in 1933 as the Nazis began their rise to power, Wengraf appeared unbilled in a couple of films there, as well as in some of the first BBC live-television shows ever presented but his career began to languish. In late 1941, however, he had the good fortune of appearing on Broadway with Helen Hayes in "Candle in the Wind" and decided to stay. The following year he headed west and settled permanently in the Los Angeles area. A dark, cold-eyed, thin-lipped player with a precise, meticulous air about him, he found himself invariably playing the very characters he detested. Some of his more nefarious nasties surfaced in such films as the Humphrey Bogart classic Sahara (1943/I), as well as The Boy from Stalingrad (1943), U-Boat Prisoner (1944) and Till We Meet Again (1944). In postwar years, he was often spotted portraying ethnic professionals (scientists, doctors, professors, foreign royalty). Some of the more quality pictures he enhanced were Tomorrow Is Forever (1946); Count Von Papen in 5 Fingers (1952); and Ronchin in the Ethel Merman musical Call Me Madam (1953). Although Wengraf never made it to the very top of the Hollywood character ranks, he remained a throughly strong and reliable player. In the 1950s and 1960s he transferred his talents to TV, appearing on a number of dramatic showcases and on such popular programs as "The Untouchables" (1959), "Hawaiian Eye" (1959), "The Man from U.N.C.L.E." (1964) and "The Time Tunnel" (1966). His last few films included minor roles in the war-themed Judgment at Nuremberg (1961), Hitler (1962) and Ship of Fools (1965). He retired in 1966, and died in Santa Barbara, California, at age 77, on May 4, 1974.
1966
Emigrating to England in 1933 as the Nazis began their rise to power, Wengraf appeared unbilled in a couple of films there, as well as in some of the first BBC live-television shows ever presented but his career began to languish. In late 1941, however, he had the good fortune of appearing on Broadway with Helen Hayes in "Candle in the Wind" and decided to stay. The following year he headed west and settled permanently in the Los Angeles area. A dark, cold-eyed, thin-lipped player with a precise, meticulous air about him, he found himself invariably playing the very characters he detested. Some of his more nefarious nasties surfaced in such films as the Humphrey Bogart classic Sahara (1943/I), as well as The Boy from Stalingrad (1943), U-Boat Prisoner (1944) and Till We Meet Again (1944). In postwar years, he was often spotted portraying ethnic professionals (scientists, doctors, professors, foreign royalty). Some of the more quality pictures he enhanced were Tomorrow Is Forever (1946); Count Von Papen in 5 Fingers (1952); and Ronchin in the Ethel Merman musical Call Me Madam (1953). Although Wengraf never made it to the very top of the Hollywood character ranks, he remained a throughly strong and reliable player. In the 1950s and 1960s he transferred his talents to TV, appearing on a number of dramatic showcases and on such popular programs as "The Untouchables" (1959), "Hawaiian Eye" (1959), "The Man from U.N.C.L.E." (1964) and "The Time Tunnel" (1966). His last few films included minor roles in the war-themed Judgment at Nuremberg (1961), Hitler (1962) and Ship of Fools (1965). He retired in 1966, and died in Santa Barbara, California, at age 77, on May 4, 1974.
Gender
Male
Birthday
April 22, 1897
Died
May 4, 1974
Birthplace
Vienna, Austria-Hungary, now Austria
Ship of Fools
1965
Never Say Goodbye
1956
Tropic Zone
1953
The Disembodied
1957
Paris Playboys
1954
Lucky Jordan
1942
Valerie
1957
The Desert Rats
1953
Sahara
1943
The Seventh Cross
1944
Judgment at Nuremberg
1961
Hitler
1962
Gog
1954
Hell and High Water
1954
The French Line
1954
Dangerous Comment
1940
Sofia
1948
Convoy
1940
The Pride and the Passion
1957
The Razor's Edge
1946
+ 24 more movies
Matinee Theater
1955
Four Star Playhouse
1952
The Time Tunnel
1966
Hawaiian Eye
1959
77 Sunset Strip
1958
Bat Masterson
1958
The Detectives
1959
One Step Beyond
1959
One Step Beyond
1959
The Third Man
1959
Telephone Time
1956
Panic!
1957
The Millionaire
1955
The Walter Winchell File
1957
Bourbon Street Beat
1959
The Rogues
1964
Cavalcade of America
1952
Cavalcade of America
1952
Cavalcade of America
1952
Lux Video Theatre
1950
+ 5 more TV shows