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Ralph Wolf and Sam Sheepdog punch into work, with Sam guarding a flock of sheep against Ralph's attempts to snatch some mutton for dinner. Ralph uses a lull-a-bye record to put Sam to sleep and steals one of the sheep, but the lamb unzips itself to reveal someone very unexpected beneath!

When an apparently exemplary cop abducts and secretly imprisons a beautiful dancer, a deadly battle of wills between captor and captive ensues.

Hipólito is a self-made man, who went up in life in devious ways, and used for profit the social turmoil when Portugal changed from a monarchy into a republic, and then to a military regime. Finally, he is forced into exile. Back in 1935 to family, friends, and lovers, he is in a mix-mesh of lies, and scheming, again.

This is a story about a mother and her only son. And also - about fate and destiny.

A fearless knight braves a deadly realm to save the Chosen One’s soul. Facing witches, demons, and brutal foes, he discovers her return could ignite chaos and doom humanity.

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No overview available.

Three tales of women that resided in the Shogun's harem (o-oku) during the Edo period.

A story about two children that are made to promise they will not forget their recently departed mother. As the two children grow up the boy regularly visits his mother's grave, while the girl has forgotten her promise.

Some Analog Lines is a playfully philosophical, surprisingly personal essay film that examines the dichotomy between digital technology and the artistic process of filmmaking. It is about animation, computers, clay, celluloid; a paper mask; a wooden shelf. More importantly, it is about what we respond to when we watch a film, and why.

The intersecting stories of twenty-four characters—from country star to wannabe to reporter to waitress—connect to the music business in Nashville, Tennessee.

San and Mayu are two schoolgirls living in Okinawa during the closing months of the Pacific War. Together with their classmates, the two friends are drafted into the war effort as nurses for wounded soldiers. When ordered to die for their country, the remaining members of the group escape only to face the harsh environment of a tropical paradise that has become a hellish battlefield.

Documentary in two parts about Brazilian writer, journalist and sociologist Sérgio Buarque de Holanda. The first part describes how the author used to pass his days with family and friends, while the second offers a historical panorama of the times, including his reaction to Nazism and the years of Vargas’ dictatorship, and the arrival of the modernist movement in Brazil.

Salvador knew Contança and Santiago. He did not know, but admired, Laurence. Among them, Laurence knew Santiago. Constance did not know Laurence. Only Santiago knew Laurence, Constança and Salvador.

In stark black and white, Terence Davies excavates the life of his fictional alter ego, Robert Tucker, in a narrative that slips between childhood, middle age and death, shaping the raw materials of his own life into a rich tapestry of experiences and impressions.

Alarmed by the news that for each working Italian there's a retiree, 70-year-old Walter decides to do his part by helping "a young person who's working for him." He chooses Piero, a model worker and upstanding citizen so shy that he can't bring himself to declare his feelings for night-time street cleaner Francesca. Walter starts giving him some old-hand advice on the matter.

A young dancer trying to make it in London during World War II discovers that people like her singing voice, too. Although she's at first reluctant to sing, she finally does and becomes a star. She hooks up with a young musician who composes classical music and turns his nose up at this vulgar "popular" music, but she believes he can be a success at it and sets out to turn him around.

The film A Shadowless Man in the Social Genre, produced in 1397 and filmed in Iran and Spain. The director of this work, Alireza Reisian, went on to make a film without shadows after the films "Forty Years" and "The Age of Love". A Shadowless Man was screened at the 37th Fajr Festival. The story of this film deals with the emotional and marital relationship of contemporary man, who has a special look at social problems these days. The film's synopsis states that filmmaker Mahan Koushiar decides to make a documentary about a serial murder, but his life is affected.

A tireless and incorrigible seducer looks for - and seems to find - the woman of his life.

The Godfather of Grunge is captured live on his TRANS tour on this release filmed in Berlin in October 1982. The gravel-voiced, messy rock legend is as impassioned as ever, banging out 11 hits, including the classics "Hey Hey, My My," "Like a Hurricane," "Cinnamon Girl," and "Needle and the Damage Done" as well as such new songs as "Transformer Man" and "Computer Age."