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A group of kids touring the state's top-ranked school realises something darker is beneath its perfect reception.

When Deni, a Labrador, lands a major advertising contract and moves in with his agent, Andrey, he and his cat friend, Manny, who are used to being together, find themselves separated for the first time. Immersed in the dazzling world of show business, Deni gradually realizes that no amount of success can replace family, and that sincerity is more valuable than any contract. Meanwhile, Andrey is going through a crisis in his relationship with his fiancée, and it is Deni who helps him rediscover his faith in love.

Koki, a gardener in Guatemala City, hides a secret: he is a vampire. By day he lives with his wife, and young son; by night he feeds in the shadows. Together, the parents try to shield the boy from the curse. But when the hunger awakens in him, something irreversible occurs, sealing a tragic inheritance.

To make the superior human race, every person in this isolated dystopian community is paired and molded into one being at the age of 16. Choosing one person's mind and one person's body. It is not so easy to decline the process.
A mysterious forest somewhere in the Łódź region has for generations inspired fear and curiosity among the inhabitants of nearby villages. They recount the stories they told or heard about ghosts and phenomena that defy rational explanation.

A pharmaceutical trial promises Aya her lost memories, but as they return, her body begins to manifest them in disturbing ways.

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During a junior high classical music competition, talented violinist Chen-Rui surprises everyone when he relinquishes his position of concertmaster to another student.

"Archaeology of Unborn Faces" is a silent cinematic excavation of the AI latent space. It stands before a digital purgatory, witnessing the agonizing struggle of algorithms trying to manifest into human form. In an epoch drowning in simulation, the film reveals that the machine creates nothing from the void, but rather recycles our abandoned memories, culminating in a terrifying emotional resonance.

Sasha, 20, returns to her family’s sun-soaked home in the south of France with her friends—her first visit since her older sister’s death. What begins as an idyllic summer escape slowly curdles into something far more suffocating.

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Sacha, the mother tree and guardian of the Yungas collapses when her beloved Lapacho tree dies and takes all color from her life. Lost in grief, she meets Diablito, a good carnival devil who briefly reminds her of joy and pushes her to question her purpose.

Emily accidentally tells her school nurse that her dementia-stricken grandpa almost got them killed, a rookie child-welfare agent is sent to their house to investigate. A botched extraction ensues and Emily is taken and placed with Sylvia, a new foster parent.
Dan, a young priest who has abandoned his conservative diocese after learning of the death of his estranged friend, Paul. Struggling with a deep crisis of faith, he embarks on a journey to find the older priest who once abused Paul during their time in seminary. With a wounded coyote in the back of his car, Dan drifts through the American landscape, encountering eccentric travelers, stealing a gun and other assorted trophies, singing Prince songs and stopping at roadside attractions.

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In post-pandemic Shanghai, two women — one leaving, one staying — share a single electric night wandering the city. A tender, breezy queer love story where chemistry, connection and bittersweet goodbyes feel thrillingly alive.

A series of bizarre, comical crimes spirals into chaos, taking a dark turn when characters become trapped in crocodile-infested floodwaters, leading to a deadly encounter with the predators.

Tchaikovsky’s many moods—tender, grand, melancholy—are all given free rein in Eugene Onegin. The opera is based on Pushkin’s iconic verse novel, which reimagines the Byronic romantic anti-hero as the definitive bored Russian aristocrat caught between convention and ennui; Tchaikovsky, similarly, took Western European operatic forms and transformed them into an authentic and undeniably Russian work. At the core of the opera is the young girl Tatiana, who grows from a sentimental adolescent into a complete woman in one of the operatic stage’s most convincing character developments.