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In a Japanese coastal town haunted by the 2011 tsunami, the filmmaker installs her camera inside the city's taxis to capture conversations between the living and, it turns out, the dead.
Below the surface, the alien is us. Filmed entirely underwater with natural light and ambient sound, MARE SAPIENS moves through the Bay of Marseille as a space where living forms, infrastructures, and machines coexist. The film assembles a sensory field without commentary or hierarchy, letting the sea appear not as background or resource, but as a milieu that absorbs, resists, and persists.

Mai Gang, the father of the filmmaker, starts making a map, which over the weeks invades the floor of the family living room. The itinerary of his clandestine escape from Communist China to Hong Kong in the seventies resurfaces. From the making of a homemade buoy to sea swimming techniques, this film offers a unique survival guide.

How do we read the sky—and who taught us? This beautiful exploration of ancestral Indigenous astronomy in Brazil weaves lectures, conversations and community memory into a poetic meditation on knowledge, loss and the many ways humans understand the cosmos.

After getting fired from his job, an ambitious loser attempts to rally his two friends together to get revenge on the man who fired him.

When recently paroled Ali gets a knock on his door, he enters a heated debate between his past and his future--he contemplates a decision that threatens to throw away all that he has worked for.
A newspaper gremlin chases someone, straight up.

My mother is Gong-soon. I was ashamed of her name and spent years looking away. In my thirties, I return home with a camera and begin following her at work.

A guilty Christian, a prideful agnostic, and a hopeful Atheist meet to craft a figure of Christ on the cross. Events are recalled from a recent party unpacking their reasons for apprehension around each other. It's condemn or be condemned in an evening of bible study diorama building.

Experience a study tour through this documentary, which follows the Class of 2025 from The British School Punta Arenas on their journey through the United Kingdom.

After discovering being trapped in a time loop, Carl has three more chances to make things right to break the loop or be blinked out of existence forever.

Jing, a woman living in Taiwan, visits Japan after receiving a letter from Kasumi, who once had an affair with her father. As she spends time with the now-ill Kasumi, their quiet conversations lead her to confront her father's hidden emotions—and her own long-buried loneliness.

Ian, who hates eating memil as a holiday food on Chuseok, meets a goblin by chance and exchanges memil for the goblin's fruit.

Twenty years after losing touch, two cousins, Giyoung and Hyunwoo, spend an ordinary day together. From meeting at a subway station to parting there, the landscapes and objects around them quietly reveal the time each of them has carried.

After a huge fire has raged, the scorched stone left there is suddenly bewildered by the unfamiliar landscape of the village, and the scorched stone that has been wandering around begins to look around the village.

Woo-jin heads to Amidong to find a director who went into hiding to receive a video. In the journey, he meets the assistant director and hears about Park Chun-bong. The previous film, "A Carpenter Catching a Whale" was canceled. Woo-jin doesn't believe how a student can make film like it. However, he witnesses a moment when a fantasy that he has denied becomes a reality.

Forced to give up the mice his son Tim deeply loves, Marc makes an impulsive decision while hiding a truth too painful to confront.
New cartoon by Alexander Yargunin (SPbGIKiT).

An exclusive behind-the-scenes featurette giving a look into the production of STREAKS (2025). Deleted scenes, outtakes and never-before-seen media all wrapped up in one killer package.

During a brutal dance rehearsal, a reserved dancer uncovers the disturbing truth behind her sister's intense training -- it is not for a performance...but for something far more terrifying.