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A film about Pavlo Petrychenko—a civic activist, soldier, and Hero of Ukraine who died defending his homeland.
Ellis Knox, a young rancher, goes on a journey for revenge after his brothers death. along the way he teams up with Olivia Finch, the local drunk.
“First I was his documentarian, then I was his enabler, now I’m his doppelganger...” Over 25 years ago, filmmaker Jeff Krulik fell under the spell of local photographer, musician and writer Chris Earnshaw, a manic yet fascinating walking encyclopedia of Washington, DC’s cultural and architectural history. The two started wandering the streets of DC, recording Chris riffing on the vanishing cityscape — the lost downtown he captured in photos beginning as a child, eventually amassing thousands of stills. But as the hours of footage and the years wore on, Chris found himself a local art star, with a front-page story in the Washington Post Arts section, while Jeff’s original documentary endeavor turned upside down, going haywire, becoming something else entirely. A film by Jeff Krulik, Greg DeLiso and Dina Selfridge.
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Two lawyers plead their cases in a trial that is not what it seems to be.
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The Culture Industries go grocery shopping in this found footage bleach and color over black and white super 8.
A swirling punk rock invocation for revolution.
Three short films about the beauty and mystery of the night sky.
The source material for this found footage piece was discovered half buried next to a crumbling shack in the Sandia Mountains. Instead of cleaning the film to properly restore its natural image content, the film was intentionally documented in its unearthed state of disintegration. In the spirit of films like Bill Morrison’s Decasia, this willful preservation of the film’s neglected condition exposes and celebrates the aging process of the physical media itself.
In The Unforgettables (Les inoubliables), 13 women interpret in their written languages the texts of 25 deceased women poets from different continents and eras who never met but nevertheless shared similar sentiments. Across eight scenes they respond to each other, producing a series of conversations about the constraints imposed on women, about wars and struggles, about writing and the boundaries of language, about relationships and the places we occupy in the world. Told in timeless black and white, the poems underline the extent to which the issues they address transcend time and space.
Poet Willie Perdomo performs his iconic poem “That’s My Heart Right There” against the backdrop of New York City’s East River.
Within the living matter of the garden, among the leaves and thorns, prayer-poems emerge. Garden maintenance becomes an ethical dilemma; pruning becomes a question of fragile ecosystems and the site’s memory—where community, cleanliness, and beautification confront vegetal time and its reverberations.
An existentialist exploration of boundaries driven by nostalgia, and the derealization in searching for fragments of the past to imagine the future.
Before we knew how to write, we learned how to draw, and with it, to bring all our dreams onto paper... So, where would you travel with a teleportation machine?
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Due to a layover a woman finds herself in an unremarkable, deserted city. While walking aimlessly, she meets a lady who delivers newspapers no one reads, and a man who is looking for his cat.
A documentary that chronicles the luxurious life of the Duchess of Alba, Cayetana Fitz-James Stuart; one of the most significant figures of the Spanish aristocracy of the 20th century