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Through the act of painting, Jinny explores uneasy and shifting realities - what does it mean to be a painter, and an activist? In an increasingly complex and divided world, artist Jinny Yu asks, what is on the other side of us? Through the act of painting, Jinny explores uneasy and shifting realities - what does it mean to be a painter, and an activist? Could one navigate being an insider and an outsider at the same time? Through this meandering conversation on migration which inspired her work for the 56th Venice Biennale, Don't They Ever Stop Migrating? we are brought along a journey of self discovery that leaves viewers with important questions we must ask ourselves. The film was a collaboration between Jinny and a team of frequent collaborators, Hingman Leung, Adrienne Row - Smith, and Justin Li, supported by the Agnes Etherington Art Centre.
“Aural Architecture” considers aural experiences originating in the mind communicated through sign language and voice.
In a heritage site undergoing maintenance, two voices discuss the interiors of the room, the story of a boulder encountered in a mountain house, and the dust that keeps coming back.
Carrying Breath Between Ancestors layers the Pine Barrens wetlands’ textures, decay, accumulations, and field recordings with a ceremonial hand dance in the sky to create ancestor time and tactile invitations. The word Papashèi, a Lenape word meaning the way breathing moves the body while sleeping/dreaming opens the video. The work speaks to moira’s tactile memory, ancestral land and legacies of familial refuge and disabilities connected to the wetlands. The installation version includes a touchscreen and VibraTech that vibrates with the field recordings.
What is alive in spaces left to re-wild? Dancers extend, gather & throw their grief under late stage capitalism to move towards feeling for what is growing through the cracks.
While embarking on a journey to buy water ice in West Philly, two women reach a tipping point in their secret relationship as they celebrate their unbeknown final day together.
The first movement of, "More Must Know the Wonder of my body in Pleasure", "of my body", is an exploration of grief and self through relationship and ritual with red burgundy okra.

A detective is investigating the disappearance of a writer who has not been seen for 30 years.

Filmmaker Marcel Wyss explores the potential of psychoactive substances in mental health treatment, blending documentary and animation to navigate personal demons, scientific breakthroughs, and the shifting landscape of therapy.

The final chapter of the musical trilogy from the epic Smiths album

In a quiet suburban neighbourhood, an Old Man finds himself at the centre of a series of visitors that all seem to want something from him. As his patience disappears, so do his restraints.
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In 2019, a Swedish single father and self-proclaimed feminist travels to an anti-feminist men’s retreat in Denmark.

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It is about two individuals in the city of somewhere near by you

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Zivar, a middle-aged woman, is the supervisor of a student dormitory. She reacts harshly when a student returns late to the dorm. In her solitude, she feels guilty and tries to improve the situation.
Eva flies back from France expecting a simple funeral. What she gets is a hunchbacked grandma, a furious village priest, and a coffin that just won’t fit. With the church refusing to bend and the body refusing to straighten, Eva is forced to navigate small-town absurdities, family pressure, and funeral logistics that defy common sense.
Laurent and Sophie called on Gagu, the home furniture assembly specialist, to assemble the crib for little Lea, who is due in a few weeks, in just one hour. But Laurent and Sophie didn't opt for the automatic delivery option, and their "GaguMan" ends up spending more than an hour at their home...

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