Movies

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No overview available.

Alan, a shy boy, attends a party forced by his best friend Jesús. When he's forced to go to the nearest store for some caguamas, he finds himself facing zombies invading the streets. Now Alan must make a decision: submit to them or fight for his life and figure out how to get back to the party.

How did PFAS chemicals once used in popular stain-resistant carpets end up in the water and environment in parts of Georgia, Alabama and South Carolina? FRONTLINE, The Associated Press, The Atlanta Journal-Constitution, The Post and Courier and AL.com investigate what happened with these forever chemicals and the ongoing health impacts. The joint investigation draws on thousands of pages of documents and court depositions and interviews with former regulators and industry insiders, as well as doctors, scientists and people who have the kinds of illnesses that researchers have linked to PFAS contamination.

The triumphs, heartbreaks and untold stories of the iconic tournament, revealing how it became a stage where sport and society collide, capturing the spirit of a nation through the beautiful game.

On a hectic 4th of July at Everett Park, Jon confronts his twin brother Dan about his parasitic lifestyle.

Two siblings discuss about their personal view about life and death.

A literature professor meets his student at a restaurant and, over the course of one meal, secrets and lies will be unearthed and the sinister connection to a tragedy will be revealed.

No overview available.

At the end of 2019, dozens of cans with films made by film students in the 60s and 70s were found at the University of Córdoba. Until then, it was believed that they had been destroyed during the last military dictatorship. Fifty years later, those images are projected again, taking us to an almost unknown period of Córdoba cinema and a time of unprecedented political, social and cultural effervescence. Each frame exceeds its original intention, to tell us about a group of young people passionate about cinema and the interests that mobilized them: psychology, militancy, music, sexual freedom. But the appearance of a strange character linked to the fate of the cans reminds us of the abrupt and violent end of the dreams of that generation.

Two young Brazilian filmmakers navigate doubt, intimacy, and the harsh realities of the film industry while trying to make their next movie — without losing each other in the process.

After being kidnapped for a massive ransom, Gao Li crosses paths with Yang Fei, a young man desperately trying to save his father, and together they battle criminals, heal family rifts, and find love amid chaos.

Set entirely within a fictional cinema of the Killhouse franchise, the film unfolds as a performance for the viewer rather than a conventional narrative. Through advertisements, trailers, intermissions, and commentary, the audience watches a movie as it is being watched—self-referential and deeply personal. At its center is Neil, a man confronting the failure of art, identity, and intention. Guided by an intimate narrator and a sequence of evocative images, Neil undergoes an internal transformation, finding solace in a community of like-minded people. Yet the connection proves insufficient. His deeper longing is for absolute unity to dissolve the self and become one with the world. This impossible ideal is embodied by Siya and Shesha, figures representing infinity, idealism, and paradox. In questioning art, belonging, and perfection, the film embraces irony as its core truth: meaning emerges through failure.

Alex, 17, is taking care of his little brother as he often does, doing his best to make up for their father's shortcomings. It's the beginning of summer and maybe the beginning of something else too.

There's this guy named Felix...yeah.

A boy looks like a fool boxing on his vr.

Two couples check into a resort for fun and intimacy, but a reckless deal between the men shatters trust and crosses unforgivable boundaries. When betrayal and lust explode into pain and heartbreak, love turns into a cruel game no one truly wins.

Panning from a tour guide testing his microphone, to tourists deciding on a cafe, to a camera operator hurriedly scouting for locations, this comedic single-take filmed from a rooftop in Kowloon City, Hong Kong, moves between rehearsed, reenacted, real, and all the way back again. Who’s watching who, and if everyone is both watching and performing, who gets to frame the truth?

Behind the Taj Mahal, one of India's most iconic symbols, flows the sacred Yamuna River. However, its waters are among the most polluted in the world. The Yamuna is a severely compromised ecological system. And yet, we remain there, immersed, like boiled frogs…

Second part of a documentary that delves into the links between Howard Zinn's A People's History of the United States and Zinn's own life.