Writing Backwards (1896)

Zanskar is a remote kingdom in the northwest Indian Himalaya, where local people are snow-bound for six months of the year. About 10,000 Zanskaris live in the isolated valley. In winter, mountain passes are blocked, the summer Jeep road closes and buses stop. Two decades ago, three friends founded a ski school - to enable winter travel in the valley, improve quality of life, and to encourage young people to stay in Zanskar by helping establish a culture of mountain sports. The film tells the story of this friendship, the ski school and the development of skiing in the area. Along the way a bigger question is raised. Most recently, the federal government announced a major road building project that will provide year round access to Zanskar. How can Zanskar's wilderness be preserved? It is only a matter of time before the winter road is completed, and the "Big India" rushes in.

Spectacular stunt work by Richard Talmadge, circus acrobat and stunt man for Douglas Fairbanks, Sr., highlights this expose of a big city criminal mastermind.

No overview available.

Yiddish live theater, a formerly lively theatrical form, is barely sustained by a few aging aficionados and its loyal but aged audience. Laura Adler is a big star of one of these troupes. She is attractive, middle-aged and quite content to spend her days performing obscure theater in her backwater town. One day, however, she learns that she is being considered for a part in a major U.S. film, and, while she is absorbing that news, she has an affair with a young man. Later, when she learns that she has terminal cancer, she decides to spend her remaining days onstage with her theatrical friends and family.

In this Lantz Color Cartune (production number 2326), Wally Walrus, masquerading as famed orchestra leader, Sir Wally Walrus, mounts the podium to conduct the orchestra, and his troubles only end when the cartoon does, with the orchestra completely destroyed.

In the battle of tyranny, a wounded man who is accompanied by a woman flees the bloodshed. They find themselves lost from the hostility of war, in the wilderness, and with themselves– until they meet someone they try to escape.

Fire spreads quickly. And how!

Drug courier Sal has the war in him. When he meets the charismatic Sasha, his life goes off the rails and he botches an important coup. They flee together and Sal undergoes an astonishing metamorphosis.

No overview available.

Story, paper- mache characters, sets, animation, camera works, editing and sounds created by 12 children, ages 6-12, at the Yellow Ball Workshop. Red Grooms and Dominic Falcone were also involved with the production