Women's Letters (2014)

Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.

Yetunde is now a social media influencer still living the fake life and pretending to be a Lagos success. After sneaking into a movie premiere event with her trusted friend and fellow ‘fakester', Kas, she pretends to be an event planner after hearing how much money can be made from the profession. Yetunde must now fake her way through bringing Celebrity guests she pretends to know and throwing the best party for Swanky Jerry & his babe Stephanie, that Lagos has ever seen. The movie aims to poke fun at social media fakeness and the current Nigerian pop culture.

A powerful Argentine political film stands on the figure of an outsider intellectual, Sebreli, but manages to transcend it, he becomes a touchstone to go through Argentina and its dilemmas, through this country that is proud of almost everything it should be ashamed of. From national icons like Gardel, Evita, Che, and Maradona the film dialogs with recent Argentine history and it does so with extraordinary energy, supported by a rarely seen use of all kinds of archive material in an almost Dionysian state of sampleadelia. The film arrives to a surprising reflection on nationalism, demagogic governments and delusions of unanimity; problems that are common to emerging societies that cannot find their ways to a freer and more egalitarian society.

A group of friends in their thirties meet for a weekend in a mountain chalet for what will be a sort of review of an era in their lives and their relationships.

Mexican feature film

Jinhyeon, a social worker, learns that Yeongjin, a social service personnel in his charge, has been kicked out of his house and is living on the streets, so he allows him to stay at his house. Meanwhile, Sunrye, an elderly woman who visits the welfare center, complains to Jinhyeon too often.

Hannah and Matt, a young couple on their first holiday together, quickly discover that they may not see eye-to-eye. Feeling as though she let her boyfriend down, Hannah enlists the help of a mysterious gypsy woman, in the hope that the couple's troubles can be overcome. However, when Matt wakes to find his girlfriend has disappeared, the gypsy woman's sinister intentions become all too clear.

The second half of On the Trail of Bigfoot. The Search takes you deep into some of North America's densest forests in search of the legendary "Bigfoot".

Fry discusses his guilty pleasure in Abba, soap operas, darts and hitting people.

Italian-French costume dramedy that takes place in France in the end of 18th Century during the French Revolution. It is "The Marriage of Figaro" meets "The Dangerous Liaisons" and it tells the story of two women, Mathilde Seurat, the actress and Julie Renard, the aristocratic wife and a mother (Delphine Forest plays both) with the same face who came from the different parts of society and at one point exchanged their identities and their lives. The movie also features Giancarlo Giannini and great Vittorio Gassman.