Women of the Night (1948)

In the shady black markets and bombed-out hovels of post–World War II Tokyo, a tough band of prostitutes eke out a dog-eat-dog existence, maintaining tenuous friendships and a semblance of order in a world of chaos. But when a renegade ex-soldier stumbles into their midst, lusts and loyalties clash, with tragic results. With Gate of Flesh, visionary director Seijun Suzuki delivers a whirlwind of social critique and pulp drama, shot through with brilliant colors and raw emotions.

In the city of Yokosuka, Kinta and his lover Haruko, both involved with yakuza, brave the post-occupation period with a goal to be together.

Tokiko patiently awaits her husband's return from WWII when her four-year old son falls ill. She takes him to the doctor but has no means of paying, so she resorts to prostitution. A month later, her husband returns to find his desperate wife, who tells him the truth. Together, they must deal with the consequences.

A former American G.I. joins a yakuza family after his release from prison in post-World War II Osaka.

Kiyoha rises from the lowly courtesan ranks to the high class position of Oiran in the steamy red-light district of Yoshiwara. She is determined to stand on her own two feet and live life as she pleased.

The neglected common-law wife of a Japanese librarian is repeatedly harassed by a young man with a heart condition who seduces her with the prospect of a better life.

In post-WWII Osaka, a middle-aged woman is forced to examine her dreary life and marriage when her husband's young and flirtatious cousin arrives for a brief stay to escape an arranged marriage.

A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.

A woman, Tome, is born to a lower class family in Japan in 1918. The title refers to an insect, repeating its mistakes, as in an infinite circle. Imamura, with this metaphor, introduces the life of Tome, who keeps trying to change her poor life.

After living a traumatic experience in Tokyo, Yukiko returns to Kyoto, where Hatsuko, her mother, runs a brothel, which upsets Yukiko very much.