With the Aid of the Wrecker (1916)

Twenty years after the disappearance of her daughter, a recovering alcoholic is preparing to host her family's Christmas celebration when her estranged ex-brother-in-law arrives unannounced, bearing nostalgic gifts and a heavy secret.

When a stranger enters a quiet, country town and is seduced by a sensuous married woman he unwittingly finds himself at the centre of a storm of sexual guilt and murder.

An innocent man turns fugitive as he reconstructs events that implicate him for a murder and robbery he did not commit.

Police catch a break when suspected kidnappers are spotted on a train heading towards Union Station. Police, train station security and a witness try to piece together the crime and get back the blind daughter of a rich business man.

Young socialite Iris Carr befriends an older woman while traveling solo by train. When Iris wakes from a nap, the woman is gone and other passengers claim she never existed.

On a train headed for England a group of travelers is delayed by an avalanche. Holed up in a hotel in a fictional European country, young Iris befriends elderly Miss Froy. When the train resumes, Iris suffers a bout of unconsciousness and wakes to find the old woman has disappeared. The other passengers ominously deny Miss Froy ever existed, so Iris begins to investigate with another traveler and, as the pair sleuth, romantic sparks fly.

Two U.S. Treasury ("T-men") agents go undercover in Detroit, and then Los Angeles, in an attempt to break a U.S. currency counterfeiting ring.

Jane Marple solves the mystery when a local woman is poisoned and a visiting movie star seems to have been the intended victim.

The story of how a mysterious suitcase brings together, and changes, the lives of a divorced dad, an unhappy housewife, two hitmen, a pair of street thugs, two love struck teens, two FBI men and a psychedelic toad. Based on Pulitzer Prize-winning humorist Dave Barry's best-selling first novel, "Big Trouble."

Arthur Bishop is a veteran hit man who, owing to his penchant for making his targets' deaths seem like accidents, thinks himself an artist. It's made him very rich, but as he hits middle age, he's so depressed and lonely that he takes on one of his victim's sons, Steve McKenna, as his apprentice. Arthur puts him through a rigorous training period and brings him on several hits. As Steven improves, Arthur worries that he'll discover who killed his father.