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Burak Çevik’s film reworks the stark black-and-white compositions of Danièle Huillet and Jean-Marie Straub’s 1984 film Klassenverhältnisse (Class Relations) in which German locations stand in for the imagined country of Kafka’s unfinished novel, Amerika. Here, however, depopulated interiors and desolate outdoor spaces carry the phantasmic traces of humanity—voices, shadows, photographs, cars—but never let them appear, suggesting a world in which all connections to the social have come untethered.
Director
Status
Released
Original Language
TR

Audrey lives alone in Paris after moving there to tend to the home of her recently deceased friend, Juliane. Moving through the days without motivation or a sense of purpose, she tries to re-establish her footing in the world by beginning video correspondences with two filmmakers—Burak, who lives in Istanbul, and Blake, who lives in Toronto. This exchange of words and footage initiates a healing process, but the nature of the interaction is not what it seems.

When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.