When My Mom Died, I Wanted to Eat Her Ashes (2019)

Ghost nation? Violent home? Traumatised country? What does the horror of one of the most famous writers of our time hide? What does his fictional America expose? To what extent does cinema feed itself off his unique vision and expression of fear? In other words: what kind of America is Stephen King telling us about?

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Long-time cohabiting couple Petteri and Liisa wake up with a terrible hangover and realize to their horror that they got married the night before. Throughout the day, the couple argues and reminisces about their previous relationships, but by evening they are ready to reconcile.

They’re small, clever, and incredibly strong-willed: dachshunds. Their soulful gaze wins hearts and fuels their lasting popularity. Once royal hunting dogs, they now take on unusual jobs—like Strolchi, a miniature dachshund who sniffs out woodworm in historic buildings. The bond between humans and dachshunds goes back to Celtic times. Archaeologists have even found joint burials of people and dachshund-like dogs. Versatile and charming, they thrive as city pets, hunting companions, and even racers—like those at the annual Wiener Race in Kirchheimbolanden. Beloved far beyond Germany, dachshunds have fans in France too, with events like Paris’s “Sausage Walk.”

Against the backdrop of unprecedented gun violence, Reggie Yates travels to Chicago to investigate gun crime in President Obama's adopted hometown.

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

Follows the cast and crew of Mad Max Beyond Thunderdome filming in the heat and dust of central Australia.

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Mateo is an unscrupulous young real estate agent. He lives in a house where nothing is lacking, but his well-off life will be disturb one morning because of the presence of an intruder.

Aside from health care and education, the housing was one of the main pillars of the Cuban revolution. In view of the continuing housing shortage, self-build groups of varying intensity, the "Microbrigadas", were set up in Cuba in 1971. To this day, these groups continue to build their own apartment buildings as well as municipal buildings throughout Cuba. Architectural images, archive material and interviews are combined to create an experimental collage on this phenomenon of a revolutionary modernity.