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2010 on the Canterbury Plains and all is well. Lambs, blue skies and daffodils. In Cathedral Square choir boys sing to their God. Punts push new season's tourists along the Avon. They photograph the 'Garden city'; the 'most English city outside of England'. We get hit with a 7.1 earthquake. We stand up, wave our fists at the heavens and compliment ourselves on our ability to recover. And then we get hit even harder. Now the city has fallen. Many are dead. Many injured. Many narrowly escape. A fragile people reappear in the following days. We have learnt from the first earthquake and once again a response is growing. Once again adrenaline is taking over. Now the whole country is rallying for Christchurch. It's the energy of the people that's unprecedented. Communities are rising from the sand. People are holding tight to each other. A year later and the quakes keep rolling. Now the Canterbury earthquakes are the most ever quakes recorded in a series. And we're still counting....
Director
Writer
Status
Released
Original Language
EN
In August, 2014, a video of the public execution of American photojournalist James Foley rippled across the globe. Foley wore an orange jumpsuit as he knelt beside an ISIS militant dressed in black. That image challenged the world to deal with a new face of terror. And it tested one American family. Seen through the lens of filmmaker Brian Oakes, Foley’s close childhood friend, Jim takes us from small-town New England to the adrenaline-fueled front lines of Libya and Syria, where Foley pushed the limits of danger to report on the plight of civilians impacted by war.
