Welcome, or No Trespassing (1964)

After the Japanese defeat to the Russians, Kaji leads the last remaining men through Manchuria. Intent on returning to his dear wife and his old life, Kaji faces great odds in a variety of different harrowing circumstances as he and his fellow men sneak behind enemy lines.

A philosophical and poetic portrait of the famous (or maybe infamous?) Baron Munchhausen. His crazy, yet very merriment, stories, views and behavior is what sets him apart from others. He becomes alienated from the society that failed to grasp his brilliance. In fact, his brilliance is what underlines the faults with the society itself. It's a beautiful yet tragic story that is filled with dense and intellectual dialogue.

Danka's and Ksanka's childhood in the village brutally ends when their father is killed by a White Guard officer in front of their eyes. Seeking revenge, they join forces with Valerka, an intellectual from big city, and the gipsy Yashka, but before they can get close to their enemy they have to help their village and the advancing Red Army.

Biopic of Russian ice hockey legend Valeri Kharlamov from early childhood, rising to the pinnacle of the sport and his untimely death

Originally commissioned by an Austrian couple in 1961 to photograph a travel diary documenting their wild game hunt, Kubelka shot three hours of film and recorded fourteen hours of audio. Over the next few years, Kubelka toiled in the editing bay, producing a work charged with intricate, ironic brutality.

Rosa (Rosa Forlano), a 90-year-old Nonna, falls in love with a Robot while teaching it how to make spaghetti. Unfortunately, her family recipe is erased by a software update. TOTO is a sincere ode to traditions like Rosa’s—who’s also the real-life Nonna of filmmaker Marco Baldonado—while also a warning signal to hold them close in times to come.

Razz accidentally shoots his wife Martha when his hunting rifle drops on the floor and discharges. The church congregation gathers at Martha’s bedside to pray for her recovery, and during this period an angel arrives to take Martha’s spirit from her body, but she is tempted by the slick Judas Green, who is an agent for Satan.

Sokurov directed and filmed Mozart’s Requiem for the Rossica Choir in the wonderful hall of the St. Petersburg Philharmonic.

1919, Solnechnomorsk. Talented adventurers have become too unexpected: now they are wanted by the Russian and Turkish police. They go to the south of Russia to take possession of the golden scepter of Count Rumyantsev. In pursuit of a precious little thing, terrorists, circus performers and even participating ladies can dress up as them. Meanwhile, Ostap’s mother is approaching the paws of the gloomy Satanist Crowley, in whose treasury, by a mysterious coincidence, there is also a scepter ...

Kindergarten teacher Evgeniy Ivanovich Troshkin is reluctantly sent undercover to take the place of an imprisoned thief who stole Alexander the Great's helmet. Evgeniy uses his striking resemblance to the thief to infiltrate his gang and learn the location of the stolen artifact. He finds the gangsters are unexpectedly similar to his students- they also need love and care.