

User Score
1 votes
“A STORY OF GREATER TRAGEDIES THAN THOSE OF THE TRENCHES”
Joan is loved by a young man of the village and they are married. In a few weeks the husband, a soldier, is sent to the war-front along with his three brothers. Word is received that her husband has been killed in battle and Joan's first impulse is suicide by she is pregnant and her prospective motherhood makes her realize her new responsibility. The military authorities start a movement to get the young women of the country to marry departing soldiers, so that the empire may have another generation of fighting men. Word is received that the King is to pass through their village and Joan organizes the women in a general protest against the war. She leads them all, dressed in black, in a long procession to meet the Monarch. The soldiers threaten to shoot her unless she turns the women back, buy Joan comes face-to-face with the ruler and kills herself, as her message from the women that they refuse to make another generation victims of a ruthless militarism.
Director
Screenplay
Status
Released
Original Language
EN

In the reign of emperor Tiberius, Gallilean prophet John the Baptist preaches against King Herod and Queen Herodias. The latter wants John dead, but Herod fears to harm him due to a prophecy. Enter beautiful Princess Salome, Herod's long-absent stepdaughter. Herodias sees the king's dawning lust for Salome as her means of bending the king to her will. But Salome and her lover Claudius are (contrary to Scripture) nearing conversion to the new religion. And the famous climactic dance turns out to have unexpected implications...

Arno
A young RAF pilot tests his father-in-law’s prototype supersonic aircraft to the limit, at a time of intense development in the field of aviation, just as commercial jet airliners are about to enter service.