Visualizing 'Carrie' (2001)

During the American Civil War, a Southerner is about to be hanged from a bridge for sabotage when something unexpected happens.

Cleo lives in Marseilles and works as a waitress in a waterfront dive. A stranger entices her into coming to Paris to take dancing lessons, but instead she is taken to a baron, who betrays her. In spite of this inauspicious start, Cleo becomes a successful and renowned actress, but her feelings about men have never recovered. She loathes them and uses them only for the money they offer her, which she then hands over to a penniless girl.

Single-channel video installation commissioned by Public Art Development Trust, London.

Au revoir les enfants tells a heartbreaking story of friendship and devastating loss concerning two boys living in Nazi-occupied France. At a provincial Catholic boarding school, the precocious youths enjoy true camaraderie—until a secret is revealed. Based on events from writer-director Malle’s own childhood, the film is a subtle, precisely observed tale of courage, cowardice, and tragic awakening.

Frank Drebin is persuaded out of retirement to go undercover in a state prison. There he has to find out what top terrorist, Rocco, has planned for when he escapes. Adding to his problems, Frank's wife, Jane, is desperate for a baby.

Three musicians form a band. But they're not just any musicians: each has a disability that makes them particularly unsuitable for their instrument. The guitarist is deaf, the singer is tone deaf, and the bassist has a stiff arm. They lack a drummer, and to respect the group's uniqueness, they turn to a famous writer who has never played the drums. He accepts, but begins a manipulation that will wreak further havoc on the already largely dysfunctional band.

During the 1980s, a failed stand-up comedian is driven insane and turns to a life of crime and chaos in Gotham City while becoming an infamous psychopathic crime figure.

Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.

A rugged city editor poses as a journalism student and flirts with the professor.