

User Score
8 votes
Lisandro Alonso returns to La Pampa, to the same locations of Freedom, to shoot his Carta para Serra (or Sin título), with a camera that seems to float among the vegetation. He has the company of Misael Saavedra, and yet instead of looking back (or making a tribute to his actors, because that was the subject in Fantasma) this movie seeks to be a prologue for his next one.
Director
Status
Released
Original Language
ES
A man is painting a landscape. A woman is holding two cups. What can go wrong? A nightmare in pink.