Unknown Passage: The Dead Moon Story (2006)

After successfully won the Tokyo qualifying tournament, Chihaya and her friends are set to go on to the nationals. As they prepare, Chihaya is faced with new personal issues as her childhood friend and inspiration, Arata, has announced that he has quit competitive karuta. Not only that, but a new rival emerges in the reigning female champion karuta player, Shinobu Wakamiya, a karuta prodigy who became the nation's and the world's greatest female karuta player as a 9th grader. All of this forces Chihaya to reexamine her love of the game in the midst of preparing for one of the biggest tournaments of the year.

The first rule is that there are no rules. For the bare-knuckle combatants competing in Musangwe fights, anything goes - you can even put a curse on him. The sport, which dates back centuries, has become a South African institution. Any male from the age of nine to ninety can compete. We follow a group of fighters as they slug it out in the ring. Who will be this year's champion?

Four friends head off to Bombay and get involved in the mother and father of all gang wars.

A group of friends meet after some years apart and decide to go on a treasure hunt.

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Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.

Chisato and Mahiro must pay four years of overdue fees or lose their membership in their assassin guild. They take part-time jobs, but find themselves in the middle of an armed robbery and being hunted by other assassins.

Barbara is a filmmaker who has been working in the prison environment for a few years now. She is preparing a film written and directed by long-term inmates in a prison in the projects around Paris. Twice a week, Barbara goes to the prison where she shoots interviews with the inmates which will serve as a basis for the writing of their screenplay.

Taking more than six years to complete, The Cut is a feature-length documentary that conclusively proves that female genital mutilation or cutting (FGM) can be found as a native practice on all inhabitable continents. From war zones in the Middle-East to bucolic Middle America, the film visits 14 countries and features key interviews with FGM survivors, activists, cutters, doctors and researchers to uncover an often secret practice shrouded in centuries of traditions, mysticisms and irrationalities.

A Movie by Tapas Kr. Chakraborty