Une lubie de monsieur Fortune (2010)

The movie arose out of our sparetime as teenagers with fresh driver’s licenses and cobbled-together camera gear, wandering around a tired and honestly pretty grim post-industrial mill community, reinforced with after-hours access to the darkroom at the Sun Journal (where Aaron’s dad was the visuals editor), and some half-formed education in the techniques of Robert Frank, Frederick Wiseman, Dogme 95, Italian neorealism, pre-Obama Shepard Fairey, plus whatever culture pushed its way through the creaky pipes of low-bandwidth dial-up internet, or was smuggled up the actual superhighway of I-95 from Boston and eventually New York, or mailed first class via United States Postal Service from a burgeoning Netflix in those classic matte red envelopes, as valuable and rare as cash sent from China. [...] Somehow we negotiated access to a Canon XL1 3-CCD MiniDV camera and shotgun mic from the local public access station, in exchange for taping the high school graduation we didn’t participate in.

In a remote Kyrgyz village, a mother navigates daily life as her family is drawn into the upheaval of World War II. Left behind to tend the land and hold her household together, she clings to hope amid growing uncertainty. As seasons pass, the quiet weight of absence and memory shapes her world. A deeply personal story of endurance, Mother’s Field captures the emotional cost of war from the perspective of those who wait.

Liran and Tali, a couple in their thirties who dream of having a child together, are one day told that they will have to undergo fertility treatments. What seems simple at first turns out to be very complex.

Live release that features the amazing genius of Stevie Wonder, presented in an intimate concert setting for the BBC in 1995. By the time of this show, Wonder had already enjoyed an astonishing and visionary career - first as `Little Stevie,' Motown prodigy, then as a musical adventurer in Funk and electronics. A master of both the romantic radio ballad and mature, hard-hitting dance music, Stevie shows the BBC audience every side of his enormous talent. In songs from across his multi-faceted career: `Higher Ground,' `Superstition,' `My Cherie Amour,' `Signed, Sealed, Delivered,' `You Are The Sunshine of My Life' and `I Just Called to Say I Love You,' among others. In this performance, Stevie reminds us of the soulful emotion and musical dexterity that have made him one of the most fascinating artists of our time. Immortal.

Maggie Cook has spent her teenage life alone in her room, but with the world set to end in 24 hours, her classmate Hazel Norcross finally brings her out of her shell.

Following his release from the reformatory, Hayato is a free man and begins working at a Korean host club, the same one Yoshio works at. Unable to handle the woman and work he immediately wants to quit. However, Yoshio soon ends up saddled with a large debt a customer has made and is forced to pay with his life in an illegal underground fighting match. To save Yoshio, Hayato enters instead and comes up against Honda an ex-pro boxer.

A weak before her lady-killer lover, a blond diva breaks up with the arrogant libertine to be with a kind friend. His ego demands appeasement, but the lethal revolver in her hand thirsts for retribution. Who is to blame for her downfall?

A man babysits his girlfriends kid, and after a short while screams come from her room. Apparently she believes there's a monster under her bed.

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