Ultimate Fuck Toy: Alina Li (2014)

To keep the promise she made to her dying mother, a young woman sets off to find her father, a fickle man she has never known. On the way, she discovers he is in fact dead, but, driven by the bewitching rhythms of the Maloya, a Reunion Island ritual singing and musical tradition, she does not abandon her goal: she must find her father.

On screen, a bride gets ready for her wedding day. Off screen, middle-class young women from Rio de Janeiro share their experiences and impressions concerning virginity, marriage, sex and politics.

When things go wrong at the circus, it's up to Superman to stop the escaped animals.

In a world where communication has grown into big business, the lack of it between individuals is almost a paradox. We live in tight little compartments that are not easily penetrated. Individual differences are regarded with suspicion or scorn. This animated film parodies the human condition in a few quick, colourful sketches, amusingly, without words, yet leaving food for thought.

The musical adventure film goes back to the early eighteenth century, the times of the battles between the Hungarian insurrectionists and the pro-Austrians. Palkó and Jankó are about to join the insurrectionist army when they clash with a pro-Austrian troop. Jankó is captured and put in Count Koháry's prison.

Three Nigerian men are scattered across the globe after escaping homophobic violence.

In the gray dawn of an October day, as the inhabitants of a village street in Tripoli are engaged in the enjoyment of their several pursuits of life, an Arab rushes upon the peaceful scene, announcing that Italy has declared war against Turkey and that the Italian warships are now in the harbor, shelling the city.

A young woman, after her fiancée’s death, cannot understand her feelings about the socially-motivated engagement’s end. Parents apathetic, cousin overwhelmingly sympathetic, only a reemerging suitor’s advances allow her to understand— what she feels is grief.

Following the Revolution of April 25, 1974, the walls of the city of Lisbon became a means of celebrating and transmitting revolutionary ideals and slogans. The text by painter António Domingues praises this plastic work initiated by the Plastic Artists Cell of the Portuguese Communist Party.

In the middle of the desert, a solipsistic Japanese-American woman, along with her elderly and paralysed friend Barbara, runs the Desert Rose Cafe. Things liven up with the arrival of a mafia henchman (whose boss is hiding out at a nearby ranch), a battered Japanse man (who turns out to be a terrific chef, but who also triggers Barbara's memories of internment during WWII), and an attack on the mob boss' camp.