“Please sir, can I have some more?”
This retelling of Charles Dickens's Oliver Twist may be populated by drug pushers, pimps and prostitutes, but the book's classic themes remain the same. Caught under the thumb of a lecherous brothel owner, 10-year-old Lee befriends an aspiring musician named Angel who helps him escape his servitude and sends a maternal drag queen to vanquish the boy's enemies.
Director
Writer
Status
Released
Original Language
EN
Man Who Kills Can Man
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
