Turtle Sitting (1999)

During the summer of 1968, Leon, a 10-year-old boy, navigates the hardships of young love, his lunatic mother's whims, and his urges to vandalize the house of his neighbors.

A woman in her thirties gets tired of life in Paris and decides to leave and become a farmer.

An unexpected road trip brings a dysfunctional family together for one last journey with their elder, sparking moments of connection, joy, and reconciliation.

In this little Provencal village, a new baker, Aimable, settles down. His wife Aurelie is beautiful and much younger than he. She departs with a shepherd the night after Aimable produces his first breads. Aimable is so afflicted that he can not work anymore. Therefore, the villagers, who initially laughed at his cuckoldry, take the matter very seriously (they want the bread) and organize a plan to find Aurelie and to bring her back to the bakery.

A working woman, mother a three children, realizes that, when her youngest one is about to go to Canada to continue her education, she will end up out of her most precious goal, being a mother.

Anticipating eviction from her retirement home after the death of her son and sole provider, rebellious septuagenarian Émilie decides to take revenge on all those who have wronged her. During her journey of initiation, she cuts to the quick to right the wrongs and is joined by Linda, a cleaning lady with whom she has forged a close bond. She, too, has nothing left to lose and decides to wage war against those who have scorned her. Soon, these two companions are hunted down by a pair of policemen.

Because he forgot his identity card, Elias cannot take the entrance exam to Sciences Po. In search of a job while waiting to be able to take the exam again, he becomes an educator in a children's home. Confronted with an environment he doesn't know how to work, Elias doesn't yet know how much this experience will change his life.

At 19, passionate about street art, Naëlle (Najaa Bensaid) is forced to follow a reintegration project with other young people, her last chance to avoid being separated from her loved ones. Touched by the young girl, Hélène (Agnès Jaoui), the site manager and her instructor, introduces her one day to the Maison des Compagnons de Nantes, a world of traditions that promotes craftsmanship excellence and transmission between generations. Alongside Paul (Pio Marmai), a companion stained glass artist who agrees to take her for training in his studio, Naëlle discovers a universe with codes very different from hers that could give new meaning despite her difficulties in life. Naëlle will carve a place for herself in the fascinating world of stained glass and will realize that the Companions' values are not just empty words.

Twenty-three years old Romain would like to be a writer, but, for the moment, he's night watchman in a hotel. His sixty-two years old father is retired and seems to not give a damn about anything. He shares an apartment with a twenty-four-year-old guy whose sole purpose in life is to seduce a woman, no matter who, and no matter the cost. His eighty-five years old grandmother is living in an old people's home, and she wonders what on earth she is doing with stuck with all these old people. One day, Romain's father turns up in a fluster. His grandmother has disappeared. In fact, she kind of escaped. Romain sets out to find her, somewhere in his memories.

Bailey and Darla embark upon a misguided and mutually deceitful form of therapy, one in which they must drive across the country, re-enacting Darla's colorful history as a sex addict. As their true motivations for the road trip come to light, the unlikely pair force one another to confront their issues, discovering that there might actually be more to love than just sex.