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In 1928, Germaine Dulac shot the film The Seashell and the Clergyman, which was based on the script of the surrealist poet Antonin Artaud. However, their co-operation ended in dispute which in fact culminated during the premiere of the film on February 9, 1928 at Studio des Ursulines. That night, as well as the scandal it caused, was indelibly printed on film history. Shot in the same cinema as that of the premiere, this documentary gives an account of the attack and booing against Dulac, primarily provoked by Antonin Artaud, André Breton and Louis Aragon. Alain Virmaux, a connoisseur in surrealism and particularly Artaud’s, recounts the period prior to the premiere and expounds the different versions of that night. Also, the documentary pays tribute to the Ursulines Studio, a landmark cinema of 1920s avant-garde film.
Status
Released
Original Language
FR
In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?
