Tuition (1940)

Anton and Erika started out as friends for five years and got into a romantic relationship for seven years. Anton is a commercial director while Erika is a former band member and becomes his stay-at-home partner. The day finally comes when he asks her to marry him.

After blowing his professional ballet career, John's only way to redeem himself is to concoct the demise of his former partner, Leah, who he blames for his downfall; he rehearses his salvation in his mind in the way that he rehearses a dance, but being able to break from the routine will be the key to his success.

Daphne Wilco, actress and social justice warrior, wreaks havoc on a production of Euripides' "The Bacchae" in the name of progress, her progress.

Shimmy, a monkey newly discover superhero powers and learns how to control his extraordinary transformative abilities and prevent powerful demonic forces from sending the universe into chaos.

Guru Chela is a heartfelt short film celebrating the timeless bond between a teacher Guru and student Chela. The story revolves around a young Chela who invites his Guru to attend his Bratabandha ceremony, a significant event in Nepalese culture marking a boy's transition into adulthood and spiritual maturity. The ceremony takes place at the Southall Temple in the United Kingdom, bringing together tradition and diaspora life. The Bratabandha combines choodakarma tonsure and Upanayana samskara, symbolizing a promise vrata and a sacred bond bandhana. It is a moment of reflection on cultural identity and spiritual growth. As the Guru blesses the Chela during the rituals, the film delves into their profound relationship. The Guru, representing the source of wisdom and guidance, imparts teachings on life and spirituality, while the Chela demonstrates respect and gratitude for his mentor's influence.

Explores Anand Dighe's life, tracing his political journey and capturing the essence of his impactful legacy as a prominent figure.

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A group of students are preparing works for an art exhibition, they belittle a myth that "Any inanimate object that resembles a living thing, is not just a dead-object"

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The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.