User Score
2 votes
No overview available.
Director
Status
Released
Original Language
CN
Sam
Lam Siu Suet
Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.
A turbulent day in a life, painted by air.
In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.
Two brothers, Jack and Tom, are in love with the same woman, Molly. While the two brothers go off to war and Molly does her part in the effort, Tom believes that Molly is waiting for him, while in fact, she loves Jack and only turned to Tom on the rebound. Jack and Molly meet while he is on leave, and when he returns to battle, he doesn't know how to handle the situation with Tom.
A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.
Set in the Soviet Union in the 70's. The plot is based on real industrial conflicts in the life of the country's largest metallurgical plant, where there are many acute problems. Modernization of Soviet metallurgical industry causes a clash between old style Communist bosses and the new generation of engineers and managers.
Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.
After blowing his professional ballet career, John's only way to redeem himself is to concoct the demise of his former partner, Leah, who he blames for his downfall; he rehearses his salvation in his mind in the way that he rehearses a dance, but being able to break from the routine will be the key to his success.
Guru Chela is a heartfelt short film celebrating the timeless bond between a teacher Guru and student Chela. The story revolves around a young Chela who invites his Guru to attend his Bratabandha ceremony, a significant event in Nepalese culture marking a boy's transition into adulthood and spiritual maturity. The ceremony takes place at the Southall Temple in the United Kingdom, bringing together tradition and diaspora life. The Bratabandha combines choodakarma tonsure and Upanayana samskara, symbolizing a promise vrata and a sacred bond bandhana. It is a moment of reflection on cultural identity and spiritual growth. As the Guru blesses the Chela during the rituals, the film delves into their profound relationship. The Guru, representing the source of wisdom and guidance, imparts teachings on life and spirituality, while the Chela demonstrates respect and gratitude for his mentor's influence.
An experimental film through the eyes of a man
A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.
Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...
