Tre volte alla settimana (2022)

Heartbroken that their children no longer want to spend time with them, two parents fake an inheritance to bring the family together for Christmas.

Irene lives in Rome. When her mother ask to, she go back to Rimini, her hometown, to take care of her autistic brother, Omar. She soon discover that Omar knows very well what to expect from the future, but in order to achieve his dreams, he need to be independent, which is why Irene begins a tender crash course to teach him adult life.

After getting pregnant from a one-night stand, a single woman leans on her married best friend and mother of two to guide her through gestation and beyond.

Drowning in debt, two brothers concoct a plan to scam a wealthy heiress and save their home in Naples — but unexpected love soon complicates the scheme.

Leo Bernardi is a successful and acclaimed Italian director. He’s approaching the end of his career but he cannot accept his slow decline. He has just finished shooting his last movie and he’s deeply sad. The movie is inspired by the novel about Casanova written by Arthur Schnitzler, a character so similar to the director, even more than he could imagine. Schnitzler’s Casanova is aged, glory days are over: he lost his charm and his attraction to women, he’s broke and no more eager to travel through Europe. After a long exile, he just wants to go back to Venice, his homeland. While traveling home Casanova meets a girl, Marcolina. She reawakens his desire, lost for years. So, he tries to seduce her but that leads him to a tragic understanding: he’s an old man now. It’s not by chance that Leo Bernardi decided to tell this story right now, in a pivotal moment of his life and career. The destiny of both Casanova and his director leads them to a final confrontation.

Thomas is a meek man on the verge of a nervous breakdown. Despite his situation he decides to fake a work trip to go to Vallarta to confront Jero, a taxi driver who is sleeping with his wife.

Ottavio Camaldoli is a professor of Latin and Greek. An honest and gentleman, he is considered a "fool" by everyone around him. But what would happen if this defenseless man, a victim of petty daily abuses in his social life, at work, and even at home, were to receive another man's heart transplant? Especially if this other man, the donor, were a brutal criminal with the sinister nickname of "O Barbiere" (The Barber)? Would Ottavio Camaldoli, after inheriting the heart, automatically become a criminal? Science tells us that these are just silly, ancient beliefs. But what if Donna Carmela, the Barber's ruthless mother, were convinced that her son is still alive thanks to the heart now beating in the professor's chest?

Eric returns home for a short visit and finds himself caught between reuniting with his sisters and chasing a victory with his old poker group. As the trip extends, Eric finds it increasingly difficult to avoid confrontations and revelations as his carefully constructed façade of his adulthood gives way to old childhood conflicts.

Arturo Meraviglia is a struggling impresario who has to take care of Gioele and Rebecca, two children "inherited" by an old uncle. When he realizes that little Gioele has superpowers, his luck changes.

When the denizens of Littlehampton – including conservative Edith – begin receiving letters full of hilarious profanities, rowdy Irish migrant Rose is charged with the crime. Suspecting something amiss, the town's women band together to investigate.