Travelling at Night with Jim Jarmusch (2014)

Four friends head off to Bombay and get involved in the mother and father of all gang wars.

Zofia, a professor of ethics, is visited by Elżbieta, an American researching the fate of Jews who survived World War II. A daytime classroom conversation turns into a night of confrontation, and Zofia is forced to answer for a decision she made decades ago that directly affected the course of Elżbieta’s life.

At the end of September 1941, Soviet artillery troops in besieged Leningrad realize that pretty soon they will fire their last shot, and after that the defense of the city will be doomed. The film is based on a true event: a small group of fearless soldiers transported a large supply of gunpowder through enemy lines to Leningrad.

Through the real stories of teachers and students in remote rural areas, we can see the profound influence of teachers on students.

Pili, a 51-year-old widow, unexpectedly leaves her home when, on her way, she is interrupted by the presence of an alien. After trying to tell her children about the extraterrestrial encounter and being ignored by them, she must investigate how to deal with this being. Meanwhile, she grapples with new desires to abandon the traditional life she has always known. In the end, she will have to confront and accept her deepest fears in order to fight this alien.

Seventeen-year-old Vera earns money by secretly renting out an apartment to teenagers seeking privacy, all while eavesdropping from behind a closed door. As she listens, her own desires awaken.

Gordon discovers that his girlfriend's dog isn't quite what she says it is.

A documentary about Sicily and its peculiar customs, with an emphasis on religious rites and the clash of modernity versus traditional values.

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

Dad catches a ball badly, injuring his finger. His guttural scream instantly hushes the entire sports complex. Sarah is paralysed. She barely recognises him; red faced, clutching his hand and crying. In the sanctuary of the locker changing rooms, Sarah explores and tests theories about what has happened with her Dad. She questions who her father is while struggling to grasp the concept of pain, both inside and out. Having found an apparent conclusion, Sarah returns to an apologetic Dad, and decides to put his promises to the test.music:Annette Focksproducer:Tobias Rosen, Heike Wiehle-Timmproduction:Relevant Film, Warner Bros Entertainment Germanybacking:Deutscher Filmförderfonds (DFFF) (DE), Schleswig-Holstein Film Commission (DE), Filmförderungsanstalt (FFA)(DE)distributor:Warner Bros Entertainment Germany