
User Score
1 votes
It articulates the essence of one's internal exile through the portrait of a Jewish-German refugee who arrived in Israel on the eve of World War II, started a family – but has nevertheless, yet to feel at home in his new country. He remains connected to Berlin with every fiber of his being; the city’s culture, its essence, and as far as he’s concerned, Israel is no more than a pit stop. He gradually pulls away from his wife, his son who does not get him, his sisters who are haunted by the past, and the rental flat where he’s lived all these years. He sets up shop in a budget hotel by the Tel Aviv seaside, hangs out with a group of fringe misfits, and dreams of moving back to Berlin.
Status
Released
Original Language
HE
A place-specific film-excavation of Bixiga neighborhood-São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape. Allegory: lobby-color, speculates. Hollow in the heart of the city, a rock. A bird ‘rappina’ lands. Novelty: Quilombo, alley, dealers: step. Vai-Vai samba school’s black and white banner. Pictograms from Benjamin’s “The Arcades project”. Progress: pluging the river while it’s possible. Commodity: Matarazzo & Metro. The real state of things, real estate: banning organic. Ground- quotation, avocados, blue taroes, water tanks, oxum: (cosmo) political reaction. Rheme maining sources: life asking for passage.